The great unity of an anonymous Kuwaiti theater since 1958 D. Mr. Sayed Ali Ismail
Leadership of Kuwait of the movement theater - in the Persian Gulf - did not come from a vacuum; it's leadership due thanks to the efforts of her children from Mstnery minds owners vision of the future bright, and these children are - at the same time - leading cultural and artistic movement in Kuwait, and of them was the late (Hamad Issa Rejaib 1924 - 1998 AD), who convinced his teacher (Zaki Tulaimat) to come to Kuwait. This was the reason to come directly to the progress of the Kuwaiti theater according to the scientific method; entrenched leadership of the Gulf theater, and wrote - letters of light - a new history of the theater. Was unanimous in all references to Zaki Tulaimat came to Kuwait twice, first in 1958, and was an exploratory visit to the movement of arts and culture in Kuwait, and the other in 1961, where the fact that the first theater group sponsored by a government, a task force Arab representation, known as (a band of Arab theater). In addition, all references are also unanimous that Zaki Tulaimat like I go out with the Arab theater first play him in March 1962, a play (haggard). Perhaps the reader would almost think that I will cite him a date for the beginning of the theater in Kuwait, or Saspb a tedious repetition of the little known history before the great!! In fact, I will cite his history plays, but date unknown .. And make him look at art history, a closer look critically reflective; attention aimed at the smallest details, as these small details can be ridden with the basics, and make us rethink the facts and axioms we believe in the authenticity!! We read in most of the references written about the Kuwaiti theater, that Zaki Tulaimat came to Kuwait the first time in 1958, and this visit gave two lectures about the theater. Then we read in the literature itself - or in the other - that Tulaimat came to Kuwait in 1958, to explore aspects of culture and art, and then wrote his famous book published in Khalid Saud Al-Zaid (theater in Kuwait: articles and documents). Strange that the two tasks belong to different ministries!! The presence of Tulaimat to deliver lectures at the invitation of the Department of Education; The presence of exploring and writing the report was an invitation from the Department of Social Affairs and Labor!! The strangest thing is that the timing of the invitations came in one, the (January 1958). The question now is: Why not only one of the two ministries to the Ministry invited the other; that especially invite Affairs Department was the strongest, as was its director Hamad Rejaib student Tulaimat Sindh and the largest in Kuwait?! The question in other words: Why did not fall circle of knowledge about the call; as Tulaimat coming to Kuwait in the major task of the Department of Affairs, will take several months, while the task of throwing two lectures are not equal to the task of affairs, the big, especially since Tulaimat already exists in Kuwait, it is easy lectures take it, especially since the subject of lectures - the theater - falls within the mission of the Department of Affairs?! Scrutiny in this matter because of the complaint was meant to Tulaimat did not invite him to deliver a circle of knowledge only two lectures in 1958, but invited him to another task was not announced at the time, but has not announced yet!! ... This is a new historical discovery!! This surprise historical discovered, when I read the interview published in the newspaper (the letter) in Kuwait 4/2/1962 to large media Anisa Mohammed Jaafar (Mama Anisa) - Introduction to the program (Kids Club) - as the first Kuwaiti working in television, she said in this dialogue: " Since the period of Prof. Zaki Tulaimat girls dance and some popular Kuwaiti This work raised the people's satisfaction and admiration. " This statement hit me big surprise!! Even the date of this dialogue did not pass one year Tulaimat come to Kuwait for the second time! Since his arrival in April 1961; an anxious configure the Arab theater, and the selection of its members and the search for elements of women's .. Etc., until the date of this dialogue was not Tulaimat may view any play, as the play (haggard) may be displayed with the Arab theater a month after the date of publication of this dialogue!! Accordingly, I wondered: Where Tulaimat lived this dance popular, referred to by (Anissa mama)?! And suitability? Where would he get girls dancing .. Etc.?! Not me but one possibility is not second to him .. This dance is made Tulaimat in his first visit to Kuwait in 1958. I went back to patrols of Kuwait in 1958, and after much effort got a treasure trove, is in two issues of the number of magazine (the community), a monthly magazine, was issued by the Department of Social Guidance Department of Social Affairs, has been issued, including small numbers in its first year, 1958, and then ceased publication. Included the first issue of this magazine - March 1958 - a detailed description of the season cultural fourth, which was held in high Shuwaikh beginning of the eighth of January to the nineteenth of February 1958, and thrown the fourteen lectures in science and literature, history, art, by a group of writers and intellectuals of the Arab world, such as: Mikhail Naima from Lebanon, and Dr. Talaat Al Shaibani from Iraq, and Dr. Abdel Aziz Elkoussy from Egypt, and Ms. Amina Said of Egypt, and Mr. Zaki Tulaimat from Egypt, and Professor Burhan Dajani, Jordan, and Dr. Jamil Sillepi from Syria. He took to the lecturers and professors to comment on them: Abdul Aziz Hussein, director of knowledge, and Ahmed Abu Bakr Ibrahim inspector, Arabic, and Abdul Majid Mustafa Shuwaikh secondary school headmaster. It is noticeable that this season was different from the cultural seasons the previous three, due to the turnout strong forced circle of knowledge to expand the theater minor Coih by adding an extension of the two balconies Janeptan, as noted Iqbal ladies to come in an unprecedented way; which indicates that Kuwaiti women took part post effective in the events of the society and its problems. It is worth mentioning that Zaki Tulaimat the records of remarkable this season, Vcilh community not interested in any lecture in this season, as far as interest in a lecture Zaki Tulaimat, Vavrdt several pages of its magazine to publish most of the views Tulaimat in Mhadhartah about the theater, and published the article under the title (the colors and shades in the art of Arab representation). Cultural fourth season ended, and ended Djtah media Tulaimat and returned to Cairo in March 1958, and life returned to normal .. But the magazine (the community) in its double-Next - number two and three: April, May, 1958 - surprise, an article by Zaki Tulaimat - before his departure - under the headline (Reflections of technical and non-technical), while the subhead says: (Kuwait, to pave the way to the awareness of a new social )! Subtitle exciting, and most first statement in the article, which says: "Prosecution say that Kuwait Qatar by Imran huge and did not have awareness!! And Oahm decide that the Kuwaiti people by the reaction of forts and barbed wire!! And wrong to argue that the public Kuwait does not respond to arousal art sound! ". This is the beginning, which recognizes the Zaki Tulaimat that broke the claim, and removed the illusion, and corrected the error!! But any way able to break Tulaimat claim, and remove the illusion, and error correction?! .. And his method was a play .. Only a play, a mission of the Department of Education, which was not announced at the time, was not announced until the present time; was exposed through a central dialogue sparingly Anisa - above - Valriqsh People referred to by Mama Anisa, what was but a dance exhibition within the play !! The story of this play is unknown .. Here are the details .. But details, details!! Performing unknown Title of the play is (Festival Arabism), and presented on the stage of secondary Shuwaikh during the cultural events of the season the third 1958. The subject matter, and it contains the technical material - as stated in the article - it is "a play written poetry symbolizing a visible symbol to the boil by the conscious Arabism in its present and Maatarkha, and aspirations, along with the plates in playing music together, and the other in songs and movement rhythmic. " This means that the theatrical poetry exhibition, and this confirms that we got to the discovery of an unprecedented, because this play is the first poetic drama review presented to the public in Kuwait in 1958, within a cultural seasons, as well as the first play by Tulaimat in Kuwait .. It is completely unknown, and gripping the fact that (haggard) is the first play by Tulaimat in Kuwait in 1962. Included the play - as stated earlier - the paintings in the rhythmic dance, which means the Kuwaiti popular dance, a dance referred to Mama Anisa in her past, and the question now is: where were the girls Tulaimat dancers? How could destroy the traditions of Kuwait showing girls dancing in front of an audience of men?! Indeed, the Tulaimat came dancers from the students of the school tribal girls in Kuwait, and destroyed the traditions; Vsaterch tells you his way - as it came in his article - saying: "paintings percussion make up the subject of the first danger .. girls Kalzahrat Saijerin to the music the movements and formations of the whole system and harmony. . and beauty. The first paintings were of the rhythmic movements inspired by the dance, the Kuwaiti community. For the first time watching the audience where none of this is happening on the stage. I remember when I asked the lady trained movement rhythmic school tribal give me girls under ten, for dancing me dancing Kuwaiti authentic. .. managed and trained her to Ms. headmistress smiled .. and I say (I'm in charge)! There was a word (but) on the Sanehma at one time .. but I prepared what I said that I am responsible. " This boldness by Tulaimat no place to express!! Has shown in his article that he was scared to the point where the horror of the failure of the experiment, especially as he will play Blohatha rhythmic dance to the men and women, led by elders and sheikhs emirate. It is strange that many of his close associates warned him to experience, and even predicted that he would not depart unscathed Kuwait .. Although it fought Tulaimat experience, and you described the appearance of this dance in front of the crowd: "I play music, and began to pace .. and was wonder .. received public painting with applause Once the girls Bmlabsan local .. and when he took the girls Ahzzn their heads that Tahedlt them Algdaúr glossy black, rose of joy on the part of women, and men began cheering!! has forgotten the public, both men and women, the familiar tradition, before the magic of arousal art beautiful. " Thus, the impact of disarmament Tulaimat fuse rhythmic dance before they explode, and won the first danger passed over; The other danger was more deadly .. "The role of (Arabism) in the play (the great unity) will represent Lady!! Is a big event," The environment of Kuwait at this time were not eligible to accept the existence of representative stands on stage, and exposing themselves in public before an audience of men and women, but accept that The man's role of women. This is inconsistent with the principles of technical Tulaimat; where he does not retire from art to give the role of a women's men .. So what's the solution?! Solution was made Tulaimat was a compromise, has made the representative role (Arabism) stand among women on the edge of the terrace top, and make them share the dialogue with the rest of the characters on stage, and make the hero - men - standing between the men of the lounge and dialogue with Arabism and with the stage as well. So skip Tulaimat second danger, saying: "The successful play great success .. I do not care of this, but I care that the public Kuwaiti accused of merely reactive and inertia to accept this new emergency well received, and no protest was Atberm!! For the first time brings sound feminist, showing a woman at a party attended by men and women. " Dear Reader .. This story of the first theatrical hair was held in Kuwait in the cultural events of the season fourth in 1958. It is the first theatrical performance review, he was the folk dances of Kuwait. It is the first theatrical presentation involving the real image of women in Kuwait. Although this amount of new information for this theater of the unknown, but the pressing question presents itself, he says, is the heroine of this offer?! Who is the lady who played a role (Arabism) in a play (the great unity)?! Especially since Tulaimat did not mention her name in his article!! The first actress in Kuwait The name of this lady Chglna a lot, and worked hard until I got to know more, it's the big Egyptian media - currently - Mrs. (Lamis Tahhaawi)! The happy happy I am when I was able to call her in January 2010 - may God prolong her age - and through her talk show, I learned things not mentioned Tulaimat, and I knew things I lit up the road more, and so completed the subject. And additives that are added to the above that (for Mays Tahhaawi) was studying acting at the hands of Zaki Tulaimat - as a hobby - at the Institute of representation in Egypt, did not complete her studies. When I graduated from college I worked in Kuwait for a year and a half expert in the Department of social affairs, social, and when I met Tulaimat in Kuwait in 1958, remembered as his pupil; Fajtarha to play a role (Arabism) in the play (the great unity). Says Ms. Mays to play was poetic and large size, and hand-written, and wrote on the occasion of unity between Egypt and Syria, and do not know who is the author? The presentation took three hours and has been subjected to a secondary Shuwaikh day for an entire week. The dress personal Arabism; has designed for Miss herself, and was a great dress, combining all the flags of the Arab world. The exercise was a regular for about two weeks - or ten days - before the show, and was attended by Mrs. (names Zini) headmistress of tribal girls. It Traúv the play - as they say to Miss Tahhaawi - that some foreigners in Kuwait, attended the presentation and photographed the heroine (Arabism / Lamis), and published the image on the cover of a magazine in English, and wrote on the cover (the first Kuwaiti women represent a play)! Even stranger than that - she says to Miss - that Ms. Amina Said persuaded (Arabism / Lamis) to wear the uniform of Kuwait, and has photographed, and then published the image in the magazine (Eve) of Egypt, and wrote about it (the first Kuwaiti represent the theater)! At the end of this discovery, the new theater, which adds a new stage in the history of Kuwait, and consolidates its leadership play in the Gulf region, in spite of all this .. Is still subject poses several questions, including: Why ignore the book, researchers and historians of this theater?! It is the author of this play is poetry?! Why did not talk about this offer contemporaries of the pioneers of the movement play?! I wish to read the answer soon, especially that lived during this presentation - and probably saw or heard from him - the artist Mohammad Manea, writer Abdul Qadeer Aziz, rapid, and the great critic loved Abdullah .. And other pioneers of the play .. Prolonged the life of God in everyone.
Leadership of Kuwait of the movement theater - in the Persian Gulf - did not come from a vacuum; it's leadership due thanks to the efforts of her children from Mstnery minds owners vision of the future bright, and these children are - at the same time - leading cultural and artistic movement in Kuwait, and of them was the late (Hamad Issa Rejaib 1924 - 1998 AD), who convinced his teacher (Zaki Tulaimat) to come to Kuwait. This was the reason to come directly to the progress of the Kuwaiti theater according to the scientific method; entrenched leadership of the Gulf theater, and wrote - letters of light - a new history of the theater. Was unanimous in all references to Zaki Tulaimat came to Kuwait twice, first in 1958, and was an exploratory visit to the movement of arts and culture in Kuwait, and the other in 1961, where the fact that the first theater group sponsored by a government, a task force Arab representation, known as (a band of Arab theater). In addition, all references are also unanimous that Zaki Tulaimat like I go out with the Arab theater first play him in March 1962, a play (haggard). Perhaps the reader would almost think that I will cite him a date for the beginning of the theater in Kuwait, or Saspb a tedious repetition of the little known history before the great!! In fact, I will cite his history plays, but date unknown .. And make him look at art history, a closer look critically reflective; attention aimed at the smallest details, as these small details can be ridden with the basics, and make us rethink the facts and axioms we believe in the authenticity!! We read in most of the references written about the Kuwaiti theater, that Zaki Tulaimat came to Kuwait the first time in 1958, and this visit gave two lectures about the theater. Then we read in the literature itself - or in the other - that Tulaimat came to Kuwait in 1958, to explore aspects of culture and art, and then wrote his famous book published in Khalid Saud Al-Zaid (theater in Kuwait: articles and documents). Strange that the two tasks belong to different ministries!! The presence of Tulaimat to deliver lectures at the invitation of the Department of Education; The presence of exploring and writing the report was an invitation from the Department of Social Affairs and Labor!! The strangest thing is that the timing of the invitations came in one, the (January 1958). The question now is: Why not only one of the two ministries to the Ministry invited the other; that especially invite Affairs Department was the strongest, as was its director Hamad Rejaib student Tulaimat Sindh and the largest in Kuwait?! The question in other words: Why did not fall circle of knowledge about the call; as Tulaimat coming to Kuwait in the major task of the Department of Affairs, will take several months, while the task of throwing two lectures are not equal to the task of affairs, the big, especially since Tulaimat already exists in Kuwait, it is easy lectures take it, especially since the subject of lectures - the theater - falls within the mission of the Department of Affairs?! Scrutiny in this matter because of the complaint was meant to Tulaimat did not invite him to deliver a circle of knowledge only two lectures in 1958, but invited him to another task was not announced at the time, but has not announced yet!! ... This is a new historical discovery!! This surprise historical discovered, when I read the interview published in the newspaper (the letter) in Kuwait 4/2/1962 to large media Anisa Mohammed Jaafar (Mama Anisa) - Introduction to the program (Kids Club) - as the first Kuwaiti working in television, she said in this dialogue: " Since the period of Prof. Zaki Tulaimat girls dance and some popular Kuwaiti This work raised the people's satisfaction and admiration. " This statement hit me big surprise!! Even the date of this dialogue did not pass one year Tulaimat come to Kuwait for the second time! Since his arrival in April 1961; an anxious configure the Arab theater, and the selection of its members and the search for elements of women's .. Etc., until the date of this dialogue was not Tulaimat may view any play, as the play (haggard) may be displayed with the Arab theater a month after the date of publication of this dialogue!! Accordingly, I wondered: Where Tulaimat lived this dance popular, referred to by (Anissa mama)?! And suitability? Where would he get girls dancing .. Etc.?! Not me but one possibility is not second to him .. This dance is made Tulaimat in his first visit to Kuwait in 1958. I went back to patrols of Kuwait in 1958, and after much effort got a treasure trove, is in two issues of the number of magazine (the community), a monthly magazine, was issued by the Department of Social Guidance Department of Social Affairs, has been issued, including small numbers in its first year, 1958, and then ceased publication. Included the first issue of this magazine - March 1958 - a detailed description of the season cultural fourth, which was held in high Shuwaikh beginning of the eighth of January to the nineteenth of February 1958, and thrown the fourteen lectures in science and literature, history, art, by a group of writers and intellectuals of the Arab world, such as: Mikhail Naima from Lebanon, and Dr. Talaat Al Shaibani from Iraq, and Dr. Abdel Aziz Elkoussy from Egypt, and Ms. Amina Said of Egypt, and Mr. Zaki Tulaimat from Egypt, and Professor Burhan Dajani, Jordan, and Dr. Jamil Sillepi from Syria. He took to the lecturers and professors to comment on them: Abdul Aziz Hussein, director of knowledge, and Ahmed Abu Bakr Ibrahim inspector, Arabic, and Abdul Majid Mustafa Shuwaikh secondary school headmaster. It is noticeable that this season was different from the cultural seasons the previous three, due to the turnout strong forced circle of knowledge to expand the theater minor Coih by adding an extension of the two balconies Janeptan, as noted Iqbal ladies to come in an unprecedented way; which indicates that Kuwaiti women took part post effective in the events of the society and its problems. It is worth mentioning that Zaki Tulaimat the records of remarkable this season, Vcilh community not interested in any lecture in this season, as far as interest in a lecture Zaki Tulaimat, Vavrdt several pages of its magazine to publish most of the views Tulaimat in Mhadhartah about the theater, and published the article under the title (the colors and shades in the art of Arab representation). Cultural fourth season ended, and ended Djtah media Tulaimat and returned to Cairo in March 1958, and life returned to normal .. But the magazine (the community) in its double-Next - number two and three: April, May, 1958 - surprise, an article by Zaki Tulaimat - before his departure - under the headline (Reflections of technical and non-technical), while the subhead says: (Kuwait, to pave the way to the awareness of a new social )! Subtitle exciting, and most first statement in the article, which says: "Prosecution say that Kuwait Qatar by Imran huge and did not have awareness!! And Oahm decide that the Kuwaiti people by the reaction of forts and barbed wire!! And wrong to argue that the public Kuwait does not respond to arousal art sound! ". This is the beginning, which recognizes the Zaki Tulaimat that broke the claim, and removed the illusion, and corrected the error!! But any way able to break Tulaimat claim, and remove the illusion, and error correction?! .. And his method was a play .. Only a play, a mission of the Department of Education, which was not announced at the time, was not announced until the present time; was exposed through a central dialogue sparingly Anisa - above - Valriqsh People referred to by Mama Anisa, what was but a dance exhibition within the play !! The story of this play is unknown .. Here are the details .. But details, details!! Performing unknown Title of the play is (Festival Arabism), and presented on the stage of secondary Shuwaikh during the cultural events of the season the third 1958. The subject matter, and it contains the technical material - as stated in the article - it is "a play written poetry symbolizing a visible symbol to the boil by the conscious Arabism in its present and Maatarkha, and aspirations, along with the plates in playing music together, and the other in songs and movement rhythmic. " This means that the theatrical poetry exhibition, and this confirms that we got to the discovery of an unprecedented, because this play is the first poetic drama review presented to the public in Kuwait in 1958, within a cultural seasons, as well as the first play by Tulaimat in Kuwait .. It is completely unknown, and gripping the fact that (haggard) is the first play by Tulaimat in Kuwait in 1962. Included the play - as stated earlier - the paintings in the rhythmic dance, which means the Kuwaiti popular dance, a dance referred to Mama Anisa in her past, and the question now is: where were the girls Tulaimat dancers? How could destroy the traditions of Kuwait showing girls dancing in front of an audience of men?! Indeed, the Tulaimat came dancers from the students of the school tribal girls in Kuwait, and destroyed the traditions; Vsaterch tells you his way - as it came in his article - saying: "paintings percussion make up the subject of the first danger .. girls Kalzahrat Saijerin to the music the movements and formations of the whole system and harmony. . and beauty. The first paintings were of the rhythmic movements inspired by the dance, the Kuwaiti community. For the first time watching the audience where none of this is happening on the stage. I remember when I asked the lady trained movement rhythmic school tribal give me girls under ten, for dancing me dancing Kuwaiti authentic. .. managed and trained her to Ms. headmistress smiled .. and I say (I'm in charge)! There was a word (but) on the Sanehma at one time .. but I prepared what I said that I am responsible. " This boldness by Tulaimat no place to express!! Has shown in his article that he was scared to the point where the horror of the failure of the experiment, especially as he will play Blohatha rhythmic dance to the men and women, led by elders and sheikhs emirate. It is strange that many of his close associates warned him to experience, and even predicted that he would not depart unscathed Kuwait .. Although it fought Tulaimat experience, and you described the appearance of this dance in front of the crowd: "I play music, and began to pace .. and was wonder .. received public painting with applause Once the girls Bmlabsan local .. and when he took the girls Ahzzn their heads that Tahedlt them Algdaúr glossy black, rose of joy on the part of women, and men began cheering!! has forgotten the public, both men and women, the familiar tradition, before the magic of arousal art beautiful. " Thus, the impact of disarmament Tulaimat fuse rhythmic dance before they explode, and won the first danger passed over; The other danger was more deadly .. "The role of (Arabism) in the play (the great unity) will represent Lady!! Is a big event," The environment of Kuwait at this time were not eligible to accept the existence of representative stands on stage, and exposing themselves in public before an audience of men and women, but accept that The man's role of women. This is inconsistent with the principles of technical Tulaimat; where he does not retire from art to give the role of a women's men .. So what's the solution?! Solution was made Tulaimat was a compromise, has made the representative role (Arabism) stand among women on the edge of the terrace top, and make them share the dialogue with the rest of the characters on stage, and make the hero - men - standing between the men of the lounge and dialogue with Arabism and with the stage as well. So skip Tulaimat second danger, saying: "The successful play great success .. I do not care of this, but I care that the public Kuwaiti accused of merely reactive and inertia to accept this new emergency well received, and no protest was Atberm!! For the first time brings sound feminist, showing a woman at a party attended by men and women. " Dear Reader .. This story of the first theatrical hair was held in Kuwait in the cultural events of the season fourth in 1958. It is the first theatrical performance review, he was the folk dances of Kuwait. It is the first theatrical presentation involving the real image of women in Kuwait. Although this amount of new information for this theater of the unknown, but the pressing question presents itself, he says, is the heroine of this offer?! Who is the lady who played a role (Arabism) in a play (the great unity)?! Especially since Tulaimat did not mention her name in his article!! The first actress in Kuwait The name of this lady Chglna a lot, and worked hard until I got to know more, it's the big Egyptian media - currently - Mrs. (Lamis Tahhaawi)! The happy happy I am when I was able to call her in January 2010 - may God prolong her age - and through her talk show, I learned things not mentioned Tulaimat, and I knew things I lit up the road more, and so completed the subject. And additives that are added to the above that (for Mays Tahhaawi) was studying acting at the hands of Zaki Tulaimat - as a hobby - at the Institute of representation in Egypt, did not complete her studies. When I graduated from college I worked in Kuwait for a year and a half expert in the Department of social affairs, social, and when I met Tulaimat in Kuwait in 1958, remembered as his pupil; Fajtarha to play a role (Arabism) in the play (the great unity). Says Ms. Mays to play was poetic and large size, and hand-written, and wrote on the occasion of unity between Egypt and Syria, and do not know who is the author? The presentation took three hours and has been subjected to a secondary Shuwaikh day for an entire week. The dress personal Arabism; has designed for Miss herself, and was a great dress, combining all the flags of the Arab world. The exercise was a regular for about two weeks - or ten days - before the show, and was attended by Mrs. (names Zini) headmistress of tribal girls. It Traúv the play - as they say to Miss Tahhaawi - that some foreigners in Kuwait, attended the presentation and photographed the heroine (Arabism / Lamis), and published the image on the cover of a magazine in English, and wrote on the cover (the first Kuwaiti women represent a play)! Even stranger than that - she says to Miss - that Ms. Amina Said persuaded (Arabism / Lamis) to wear the uniform of Kuwait, and has photographed, and then published the image in the magazine (Eve) of Egypt, and wrote about it (the first Kuwaiti represent the theater)! At the end of this discovery, the new theater, which adds a new stage in the history of Kuwait, and consolidates its leadership play in the Gulf region, in spite of all this .. Is still subject poses several questions, including: Why ignore the book, researchers and historians of this theater?! It is the author of this play is poetry?! Why did not talk about this offer contemporaries of the pioneers of the movement play?! I wish to read the answer soon, especially that lived during this presentation - and probably saw or heard from him - the artist Mohammad Manea, writer Abdul Qadeer Aziz, rapid, and the great critic loved Abdullah .. And other pioneers of the play .. Prolonged the life of God in everyone.
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