http://kenanaonline.com/users/sayed-esmail/posts?page=2&stamp=1314904099&user_page=true#http://kenanaonline.com/users/sayed-esmail/topics/66461/posts/127519Documents the Kuwaiti theater(Episode II)Saqr Quraish .. And the development of theatrical activityProf. Dr. / Mr. Ali Ismail
Introduction:We talked in the previous episode for documents form a band Arab representation, which is known - later - the name (a band of Arab theater), and they will begin their training in November 1961; to make a play (haggard) as the first stage show with, while noting that the band was free of the female Kuwaiti; to that used Zaki Tulaimat Bmmtlten of Egypt's two Zozo Hamdi al-Hakim, and Ceyhan symbolic; but after a few days there surprise and made the first Miss Kuwait to join the band, namely, (Mary, good) employee at the Ministry of Health; to become this bold step leading drama in Kuwait especially in the Gulf in general, followed by the act itself in leading the second (Mary Anger) is also a Health Ministry employee, and then used the band in her first play exercises Pftaten two Egyptian working in the Ministry of Health, are: immediate Ibrahim, and Hoda Abdel-Salam. Thus ended the problem of providing the female element of the band, and organized training that has been going on for three months.Visited an art editor for the newspaper letter Kuwaiti members of the Task Arab theater - a play on during the training haggard - and published a summary of the visit - which is the first newspaper article published about the band members - on 25/2/1962, we find Khalid al-Nafisi speaks for itself that participated in the Task Popular Theatre for two years, and now think of professional representation. He also praised the efforts of Tulaimat in education and training, saying: "It's a model we derive from it a strong spirit to continue our first steps in the Arab representation on the stage." The Mary Ghadban talked about their participation in the representation after strong opposition from her family, especially the father, and finally managed to convince them that the profession of honest representation. The Mary Good has exceeded all of the difficulties encountered in order to work in the theater, it is "not interested in people's words is an art of sublime representation can play an important role in contributing to the guide and educate the citizens." The Gazette talked about Saad Faraj Mubarak, saying: "very excited to represent the harmony of the role assigned to him a lot .. intends to professionalism of the art in the future .. At every encouragement from his family, especially his brother, lawyer Mubarak's successor."As much press attention exercises play haggard, and the emergence of the Arab theater, as much fear for the future of theater and popular offerings. Wrote Abdel-Karim Al-Murad, a word in the letter dated 17/12/1961, which has shown deep sorrow for what he heard that the theater will not show the Arab popular plays, and folk theater will be forgotten, and concluded by his speech that the public awaits the return of Mohammed and Saleh Nashmi Ajeery . In another article of the newspaper itself on 21/1/1962 Nashmi questioned the feasibility of the Arab theater offers before you start, saying: "I can not predict the unseen and say that the success of Mr. Zaki Tulaimat inevitable; because the representation of the Arabic language and historical roles .. I think that for this type of stories a few pioneers, and a limited number of interested in it. dialect and popular representation, or in other words, the local dialect have a significant impact in the hearts of people to understand this wish to attend this type of plays that use the local dialect. "On 03.18.1962 and on the stage of secondary Shuwaikh curtain rose on a play (haggard); as the first theatrical performance of a government task force Arab theater, and this play has been subjected to a sequential basis on 4/4/1962, which was written by Mahmoud Timor, and directed and the representation of Zaki Tulaimat, with a group of actors and actresses, they are: Maryam Saleh, Mary Anger, Zozo Hamdi al-Hakim, Jihan symbolic superstructure Ibrahim, Huda Abdul Salam, Abdullah Khuraibet, Abdul Wahab Sultan, Ali Nasser, Ahmed Al Mulla, Adnan Hussein , Abdul Hussain Abdul Rida, the star of Abdul Karim, David Hamad, Shabo Abdul-Hussein Abdul-Jabbar Majid, Abdul Rahman Alazaviha, Jacob, Hassan Ali, Mohammad Rajab, Ali Al Mulla, Abdul Redha Abbas, Asad Mahmood, Ahmed Abdel Aziz, Youssef Al-Khatib, Mohammed Abdullah Ramadan, Hussein Saleh, Khaled Al-Nafisi, Nayef Sharaf al-Din, Ibrahim Ahmed Hussein Ghanem Saleh Al-Ghanim, Abd al-Rahman al Muhanna, Saad Mubarak Faraj, Jafar insured, Secretary Mr. Abdul Hassan, Najib Mahmoud Abu Farha, Badi Hassan Omran, Ali Gomaa, Jojo Marwan, Mohammed Shaker Abdullah, Abdul Rahim Abu Issa, Izz al-Din Abd al-Rahim, Jesus Fahad Al-Ghanim. It's interesting that this play was recorded radio, where the newspaper reported that the message - the 44 on 8/4/1962 - The newspaper published a picture of Kuwait during the radio engineers registered the play.Out of context:What I said earlier information - may be known to all - I have mentioned only a prelude to the document published in this episode. Another reason may be outside the immediate context of the workshop; but at the same time holds important historical pieces of information: first, on his first stage show Zaki Tulaimat in Kuwait .. I think the reader agrees with me - and with history as well - as a play (haggard) for the Arab theater in March 1962 .. Is there any doubt in this?! I will answer and say to myself .. Yes! There is no doubt about that; because the first stage show set up by Tulaimat in Kuwait was a play (the great unity) in March 1958, was introduced during the cultural season fourth in Kuwait.I think the reader will be mesmerized when reading this information .. Perhaps mesmerized more when he knows that the play It was a poetic of the poetic drama is large, took offered three hours, and has been every day for a full week on the stage of secondary Shuwaikh, and so is this play - perhaps - the first poetic drama was in Kuwait!! It is strange that this presentation included a review of dance done by the students of the school for tribal girls in Kuwait, was the first time the public sees the Kuwaiti Kuwaiti folk dance before it and an outlet on stage by school girls!! The strange wonders were: the personal champion the show, which embodied the personal (Arabism) .. Was carried out by the Egyptian woman was working in the Department of Social Affairs at the time, a large media - currently - Professor (Lamis Tahawi), which is the first woman to participate in a theatrical performance in the history of Kuwait.This surprise historical discovered, when I read the interview published in the newspaper (the message) in the major media of 4/2/1962 Anisa Mohammed Jaafar (Mama Anisa) - Introduction to the program (Kids Club) - as the first Kuwaiti working in television, she said in this dialogue: "Since for Prof. Zaki Tulaimat girls dance and some popular Kuwaiti This work aroused people's satisfaction and admiration. " This statement shook my knowledge of historical! Even the date of this dialogue did not pass one year of a Tulaimat in Kuwait! Since his arrival we saw worried composition of the band, and the selection of its members and the search for elements of women's .. Etc. .. Where established Tulaimat this dance popular?! And suitability? Where would he get girls dancers? .. Etc.. Put one possibility - and was right - that this dance is presented Tulaimat in his first visit to Kuwait in 1958; so I went back to patrol this period to find a reference to the offer published in the Journal of the society - issued by the Department of Social Affairs - in April 1958, and there is another sign refers to the name of Miss Egypt which embodied the personal (Arabism), and (for Mays Tahhaawi). After much effort I managed to get her phone number - may God prolong her age - I called them today, Wednesday, 27/1/2010, and through her talk show, which got the information that I have mentioned before about the theater first, set up by Zaki Tulaimat in Kuwait in 1958 .The information is the second concerns the falcon Rashoud and his debut with the Theatre Persian Gulf, chances are the more general who wrote about Saqr - if not all - agree that a hawk - with a group of amateurs - A theater group name (National Theatre) in 1962, this band has offered his play (opened) - the scene of a school friend - at the end of 1962, and this band was the nucleus for the formation of the first Persian Gulf theater, that went on 13/5/1963. Commented Khalid Saud Al-Zaid - in his book (the theater in Kuwait: The articles and documents), p. 104 - on the play (opened), said: "Regardless of the play's content and objectives and processes only that her name suggests, including beats in the hearts of the youth revolt and the desire of emancipation from the dominance of Nashmi and the dominance of Zaki Tulaimat together. whether this address intentional or unintentional This reality is well known that the hawk did not get along with Zaki Tulaimat him are the old school, not in line with the aspirations of young people and Noazaahm play. "The above information confirms two things: first; that Saqr Rashoud A National Theatre Company, which represented his play (opened) at the end of 1962, after the presentation of Tulaimat - and members of the Task Arab theater - a play (haggard) in March 1962; ie theater The former Arab in width, and then the National Theatre. The other matter; that Saqr Rashoud stage play (opened) at the end of 1962, even away from the dominance of Tulaimat the Kuwaiti theater, and prove it - any Tulaimat - that his old school of no use to the aspirations of young people, and has shown us that Khalid Saud Al-Zaid.Dear Reader .. Are you ready to read the gripping story with all of the above and stir everything in it just the opposite?! This news was published (the message) in its eighth Kuwait on 25/5/1961, which stated the following: "National Theatre new theater group in Kuwait consists of young loves acting. The band opened the season to provide technical novel dealing with social problems of society and family. We wish the band and its members all the progress and prosperity. " This news confirms the previous finding in terms of the real presence and the historic National Theatre, and it consisted in Kuwait, and they offered to play a social at the opening of the first artistic season .. Strangely, however, is the date of publication of the news (25/05/1961), this proves that history Saqr Rashoud A National Theatre before the start of Tulaimat work in the formation of the Arab theater!! And prove that the play (opened) offered by the Task Force is made up of Arab theater, and before that was no play!! And prove that the play (opened) nothing to do with the position of Saqr Tulaimat or dominance; where is this hegemony and Tulaimat not compose theater after the Arab, and did not display any play?! And finally prove weak Khalid Saud Al-Zaid opinion that "the hawk did not get along with Zaki Tulaimat him are the old school, not in line with the aspirations of young people and Noazaahm play," Any agreement and any agreement, and any old school or new school .. Aftlemat in May 1961 - time of publication of the news - not only in Kuwait a month and a few days, a period that does not allow him to dominate everything, and do not allow the emergence of his school, which emerged after a play (haggard) in March 1962.Submission of the document:Before publishing a document of this episode, I must point out that the play (haggard) won a great success at the official level as far as failure at the grassroots level! In other words, I say: play (haggard) succeeded very successful as planned Zaki Tulaimat, but it was to the contrary in the eyes of Mohammed Nashmi and his supporters - and this meaning will become clear part in the analysis and document this episode, you will realize the other part in the rest of the episodes - and the biggest proof an article on the Salem Abdul Baqi under the title (a play on the Odu Saqr Quraish), published in the Journal of the letter dated 03.25.1962, in which the writer shows the many flaws in the presentation. The article Zaki Tulaimat for the show itself - published in the Journal of the Arab in June 1962 - has made it clear that the show was a technical breakthrough is unparalleled.Close this episode is a memorandum filed by Zaki Tulaimat to the Undersecretary of the Ministry of Social Affairs and Labour. The document is dated;, but its history probably lies between April and June 1962; they talk about the issues came after the end of the theatrical haggard in April 1962, did not say where theatrical performances the following (death train), which was presented in June 1962 on the occasion of National Day. The document is a seven-page hand-written by Zaki Tulaimat - and signed - in draft form, with minor amendments and corrections such as the nature drafts of official papers, which reads says:Mr. Undersecretary of the Ministry of Social Affairs and LaborGreetings,I am happy to guarantee the following, proposals for the development of theatrical activity, supervised by the ministry, organized and expand the areas of work where and tighten its objectives, in line with the plan of general development of the list in all other aspects of social life in Kuwait, so that this activity is an impetus to the development of society and direct destination safe. And theatrical activity, supervised by the ministry now consists of:First: Arab TheatreSecond: The Popular TheatreThird stage of social developmentFirst: Arab TheatreCame the first experience for the band Arab provide precious plays Arabic statement Alvsih, the fruit of good, exceeded the success of what was hoped, and this experience has demonstrated the validity of which took place, in terms of scalability Kuwaiti actor because responding to the factors of development and progress in the art of the performing arts in accordance with the values and conditions Professional sound, then in terms of public response to what is provided by this actor and vulnerability.Has made a play (haggard) in 18 consecutive accept public concert by the supervisor on the face known, and thus recorded a new number was not known in theatrical activity here. This is despite the play, which it mentioned in the method of Refaa graph, and the depth of psychological analysis, and the concentration in the sequence of scenes, and serious treatment of the subject .. All of this argue that Kuwait's intellectual elite of the public seems to relish the high art and accepts it. And this justified the reasons for its creation Arab theater, though:A - narrow the possibilities.B - the small number of veterans affairs in the scope of the large theater.C - modern administrative affairs and conditions of the course of the administrative work of the ordinary.D - The band members were not to do the band full time and effort, as all of them are working for government jobs or private throughout the day.It is worth mentioning that the play (Saqr Quraish) took out more than three months, then for some reason other than those previous, is that the exercises were not held only once, in the evening and a short time without the time to be normally exercises in working groups is well known that the training conducted by the twice a day, once in the morning and the other in the evening. And increases on the foregoing reasons, the band members, all amateurs, face for the first time, the theoretical and practical in the arts of theater and bound in their movements and their movements according to the plan drawn and not spur of the moment. However, the task force is working it should not be limited to the production of one play, and if this was acceptable in the first attempt because of the previously mentioned reasons, it can not be accepted in the next attempt. And dealing with this case, the avoidance of their causes, the most important is the lack of band members on their work for all of their time.1 - professional representationAnd have that interrupted the work of the band all the time and effort, people who have demonstrated merit and clear that they are good to serve the theater through professionalism, have revealed the first experiment the existence of at least fifteen young men, except for actresses former rally driver, and these true transferred to the Ministry of Social Affairs in the same grades which they are in jobs that occupy various ministries. If it is, including a group of government officials, is being appointed, or that the conduct of their bonuses cut off each month. It is known that professional representation in the countries of Qatar receives predicts that the theater stage in a modern production facility and it will become culturally significant.2 - the stability of the band in a home for the representation of their ownThe first thing to have a theater group known as fixed by the band known as the theater, and in this theater are organized its technical, administrative, and includes storage space for clothes and furniture and equipment for studio and landscape work .. Etc.. In terms of ministry is in the process of preparing a theatrical (Kevan), (maize), I propose that the theater (Kevan) dedicated to the shrine (a band of Arab theater).3 - The diversification provided by the band playsIn order to address (a band of Arab theater) all the layers, and affect the different levels of intellectual, cultural, and compatibility variation tastes - and this is production for all, not for a single layer, that we live in a democratic education - I see not only provide the band plays the historic Old tongue Alvsih, but also offers plays that deal with the affairs of the present values in the general humanitarian problems in Arab society - and Kuwait, the Arab community - to be written in dialect, Kuwait .. And take into account the chosen lightness of treatment and approach, and the temptation to humor is fabricating, and it is that Tesf to flatter on the downside in the public, it is known that the fundamental value of the play is not in the style chart, but in health treatment and be subject to the conditions of high art. In pursuit of the earliest examples of Egyptian writing these plays and style, to convey to the Kuwaiti dialect. And check this band (Arab theater) objectives at the same time, namely: to uphold the statement Alvsih with the revival of pages from the glories of Arab history, and present in the care of its values and its problems .. Come on Let there be no smallness.4 - Consideration of recruitment specialists in the arts of theaterTherefore, because the Arab theater production will not be less than five plays next season, the same number of plays offered by the Task Force (National Theatre) in Cairo .. In terms of the number of body art from the Egyptians list can not be any way to respond to the demands of this large-scale production .. It is where there will be two new theaters and one (the Arab Theatre) and the other to receive the representative teams attending from abroad, and must be completed every scene of them crew of technicians. In terms of the technical and administrative oversight will double and complicated, which requires that both sides have to help me. I bring this alienated new specialists, has said their jobs in the note on the budget of the Arab theater.
Introduction:We talked in the previous episode for documents form a band Arab representation, which is known - later - the name (a band of Arab theater), and they will begin their training in November 1961; to make a play (haggard) as the first stage show with, while noting that the band was free of the female Kuwaiti; to that used Zaki Tulaimat Bmmtlten of Egypt's two Zozo Hamdi al-Hakim, and Ceyhan symbolic; but after a few days there surprise and made the first Miss Kuwait to join the band, namely, (Mary, good) employee at the Ministry of Health; to become this bold step leading drama in Kuwait especially in the Gulf in general, followed by the act itself in leading the second (Mary Anger) is also a Health Ministry employee, and then used the band in her first play exercises Pftaten two Egyptian working in the Ministry of Health, are: immediate Ibrahim, and Hoda Abdel-Salam. Thus ended the problem of providing the female element of the band, and organized training that has been going on for three months.Visited an art editor for the newspaper letter Kuwaiti members of the Task Arab theater - a play on during the training haggard - and published a summary of the visit - which is the first newspaper article published about the band members - on 25/2/1962, we find Khalid al-Nafisi speaks for itself that participated in the Task Popular Theatre for two years, and now think of professional representation. He also praised the efforts of Tulaimat in education and training, saying: "It's a model we derive from it a strong spirit to continue our first steps in the Arab representation on the stage." The Mary Ghadban talked about their participation in the representation after strong opposition from her family, especially the father, and finally managed to convince them that the profession of honest representation. The Mary Good has exceeded all of the difficulties encountered in order to work in the theater, it is "not interested in people's words is an art of sublime representation can play an important role in contributing to the guide and educate the citizens." The Gazette talked about Saad Faraj Mubarak, saying: "very excited to represent the harmony of the role assigned to him a lot .. intends to professionalism of the art in the future .. At every encouragement from his family, especially his brother, lawyer Mubarak's successor."As much press attention exercises play haggard, and the emergence of the Arab theater, as much fear for the future of theater and popular offerings. Wrote Abdel-Karim Al-Murad, a word in the letter dated 17/12/1961, which has shown deep sorrow for what he heard that the theater will not show the Arab popular plays, and folk theater will be forgotten, and concluded by his speech that the public awaits the return of Mohammed and Saleh Nashmi Ajeery . In another article of the newspaper itself on 21/1/1962 Nashmi questioned the feasibility of the Arab theater offers before you start, saying: "I can not predict the unseen and say that the success of Mr. Zaki Tulaimat inevitable; because the representation of the Arabic language and historical roles .. I think that for this type of stories a few pioneers, and a limited number of interested in it. dialect and popular representation, or in other words, the local dialect have a significant impact in the hearts of people to understand this wish to attend this type of plays that use the local dialect. "On 03.18.1962 and on the stage of secondary Shuwaikh curtain rose on a play (haggard); as the first theatrical performance of a government task force Arab theater, and this play has been subjected to a sequential basis on 4/4/1962, which was written by Mahmoud Timor, and directed and the representation of Zaki Tulaimat, with a group of actors and actresses, they are: Maryam Saleh, Mary Anger, Zozo Hamdi al-Hakim, Jihan symbolic superstructure Ibrahim, Huda Abdul Salam, Abdullah Khuraibet, Abdul Wahab Sultan, Ali Nasser, Ahmed Al Mulla, Adnan Hussein , Abdul Hussain Abdul Rida, the star of Abdul Karim, David Hamad, Shabo Abdul-Hussein Abdul-Jabbar Majid, Abdul Rahman Alazaviha, Jacob, Hassan Ali, Mohammad Rajab, Ali Al Mulla, Abdul Redha Abbas, Asad Mahmood, Ahmed Abdel Aziz, Youssef Al-Khatib, Mohammed Abdullah Ramadan, Hussein Saleh, Khaled Al-Nafisi, Nayef Sharaf al-Din, Ibrahim Ahmed Hussein Ghanem Saleh Al-Ghanim, Abd al-Rahman al Muhanna, Saad Mubarak Faraj, Jafar insured, Secretary Mr. Abdul Hassan, Najib Mahmoud Abu Farha, Badi Hassan Omran, Ali Gomaa, Jojo Marwan, Mohammed Shaker Abdullah, Abdul Rahim Abu Issa, Izz al-Din Abd al-Rahim, Jesus Fahad Al-Ghanim. It's interesting that this play was recorded radio, where the newspaper reported that the message - the 44 on 8/4/1962 - The newspaper published a picture of Kuwait during the radio engineers registered the play.Out of context:What I said earlier information - may be known to all - I have mentioned only a prelude to the document published in this episode. Another reason may be outside the immediate context of the workshop; but at the same time holds important historical pieces of information: first, on his first stage show Zaki Tulaimat in Kuwait .. I think the reader agrees with me - and with history as well - as a play (haggard) for the Arab theater in March 1962 .. Is there any doubt in this?! I will answer and say to myself .. Yes! There is no doubt about that; because the first stage show set up by Tulaimat in Kuwait was a play (the great unity) in March 1958, was introduced during the cultural season fourth in Kuwait.I think the reader will be mesmerized when reading this information .. Perhaps mesmerized more when he knows that the play It was a poetic of the poetic drama is large, took offered three hours, and has been every day for a full week on the stage of secondary Shuwaikh, and so is this play - perhaps - the first poetic drama was in Kuwait!! It is strange that this presentation included a review of dance done by the students of the school for tribal girls in Kuwait, was the first time the public sees the Kuwaiti Kuwaiti folk dance before it and an outlet on stage by school girls!! The strange wonders were: the personal champion the show, which embodied the personal (Arabism) .. Was carried out by the Egyptian woman was working in the Department of Social Affairs at the time, a large media - currently - Professor (Lamis Tahawi), which is the first woman to participate in a theatrical performance in the history of Kuwait.This surprise historical discovered, when I read the interview published in the newspaper (the message) in the major media of 4/2/1962 Anisa Mohammed Jaafar (Mama Anisa) - Introduction to the program (Kids Club) - as the first Kuwaiti working in television, she said in this dialogue: "Since for Prof. Zaki Tulaimat girls dance and some popular Kuwaiti This work aroused people's satisfaction and admiration. " This statement shook my knowledge of historical! Even the date of this dialogue did not pass one year of a Tulaimat in Kuwait! Since his arrival we saw worried composition of the band, and the selection of its members and the search for elements of women's .. Etc. .. Where established Tulaimat this dance popular?! And suitability? Where would he get girls dancers? .. Etc.. Put one possibility - and was right - that this dance is presented Tulaimat in his first visit to Kuwait in 1958; so I went back to patrol this period to find a reference to the offer published in the Journal of the society - issued by the Department of Social Affairs - in April 1958, and there is another sign refers to the name of Miss Egypt which embodied the personal (Arabism), and (for Mays Tahhaawi). After much effort I managed to get her phone number - may God prolong her age - I called them today, Wednesday, 27/1/2010, and through her talk show, which got the information that I have mentioned before about the theater first, set up by Zaki Tulaimat in Kuwait in 1958 .The information is the second concerns the falcon Rashoud and his debut with the Theatre Persian Gulf, chances are the more general who wrote about Saqr - if not all - agree that a hawk - with a group of amateurs - A theater group name (National Theatre) in 1962, this band has offered his play (opened) - the scene of a school friend - at the end of 1962, and this band was the nucleus for the formation of the first Persian Gulf theater, that went on 13/5/1963. Commented Khalid Saud Al-Zaid - in his book (the theater in Kuwait: The articles and documents), p. 104 - on the play (opened), said: "Regardless of the play's content and objectives and processes only that her name suggests, including beats in the hearts of the youth revolt and the desire of emancipation from the dominance of Nashmi and the dominance of Zaki Tulaimat together. whether this address intentional or unintentional This reality is well known that the hawk did not get along with Zaki Tulaimat him are the old school, not in line with the aspirations of young people and Noazaahm play. "The above information confirms two things: first; that Saqr Rashoud A National Theatre Company, which represented his play (opened) at the end of 1962, after the presentation of Tulaimat - and members of the Task Arab theater - a play (haggard) in March 1962; ie theater The former Arab in width, and then the National Theatre. The other matter; that Saqr Rashoud stage play (opened) at the end of 1962, even away from the dominance of Tulaimat the Kuwaiti theater, and prove it - any Tulaimat - that his old school of no use to the aspirations of young people, and has shown us that Khalid Saud Al-Zaid.Dear Reader .. Are you ready to read the gripping story with all of the above and stir everything in it just the opposite?! This news was published (the message) in its eighth Kuwait on 25/5/1961, which stated the following: "National Theatre new theater group in Kuwait consists of young loves acting. The band opened the season to provide technical novel dealing with social problems of society and family. We wish the band and its members all the progress and prosperity. " This news confirms the previous finding in terms of the real presence and the historic National Theatre, and it consisted in Kuwait, and they offered to play a social at the opening of the first artistic season .. Strangely, however, is the date of publication of the news (25/05/1961), this proves that history Saqr Rashoud A National Theatre before the start of Tulaimat work in the formation of the Arab theater!! And prove that the play (opened) offered by the Task Force is made up of Arab theater, and before that was no play!! And prove that the play (opened) nothing to do with the position of Saqr Tulaimat or dominance; where is this hegemony and Tulaimat not compose theater after the Arab, and did not display any play?! And finally prove weak Khalid Saud Al-Zaid opinion that "the hawk did not get along with Zaki Tulaimat him are the old school, not in line with the aspirations of young people and Noazaahm play," Any agreement and any agreement, and any old school or new school .. Aftlemat in May 1961 - time of publication of the news - not only in Kuwait a month and a few days, a period that does not allow him to dominate everything, and do not allow the emergence of his school, which emerged after a play (haggard) in March 1962.Submission of the document:Before publishing a document of this episode, I must point out that the play (haggard) won a great success at the official level as far as failure at the grassroots level! In other words, I say: play (haggard) succeeded very successful as planned Zaki Tulaimat, but it was to the contrary in the eyes of Mohammed Nashmi and his supporters - and this meaning will become clear part in the analysis and document this episode, you will realize the other part in the rest of the episodes - and the biggest proof an article on the Salem Abdul Baqi under the title (a play on the Odu Saqr Quraish), published in the Journal of the letter dated 03.25.1962, in which the writer shows the many flaws in the presentation. The article Zaki Tulaimat for the show itself - published in the Journal of the Arab in June 1962 - has made it clear that the show was a technical breakthrough is unparalleled.Close this episode is a memorandum filed by Zaki Tulaimat to the Undersecretary of the Ministry of Social Affairs and Labour. The document is dated;, but its history probably lies between April and June 1962; they talk about the issues came after the end of the theatrical haggard in April 1962, did not say where theatrical performances the following (death train), which was presented in June 1962 on the occasion of National Day. The document is a seven-page hand-written by Zaki Tulaimat - and signed - in draft form, with minor amendments and corrections such as the nature drafts of official papers, which reads says:Mr. Undersecretary of the Ministry of Social Affairs and LaborGreetings,I am happy to guarantee the following, proposals for the development of theatrical activity, supervised by the ministry, organized and expand the areas of work where and tighten its objectives, in line with the plan of general development of the list in all other aspects of social life in Kuwait, so that this activity is an impetus to the development of society and direct destination safe. And theatrical activity, supervised by the ministry now consists of:First: Arab TheatreSecond: The Popular TheatreThird stage of social developmentFirst: Arab TheatreCame the first experience for the band Arab provide precious plays Arabic statement Alvsih, the fruit of good, exceeded the success of what was hoped, and this experience has demonstrated the validity of which took place, in terms of scalability Kuwaiti actor because responding to the factors of development and progress in the art of the performing arts in accordance with the values and conditions Professional sound, then in terms of public response to what is provided by this actor and vulnerability.Has made a play (haggard) in 18 consecutive accept public concert by the supervisor on the face known, and thus recorded a new number was not known in theatrical activity here. This is despite the play, which it mentioned in the method of Refaa graph, and the depth of psychological analysis, and the concentration in the sequence of scenes, and serious treatment of the subject .. All of this argue that Kuwait's intellectual elite of the public seems to relish the high art and accepts it. And this justified the reasons for its creation Arab theater, though:A - narrow the possibilities.B - the small number of veterans affairs in the scope of the large theater.C - modern administrative affairs and conditions of the course of the administrative work of the ordinary.D - The band members were not to do the band full time and effort, as all of them are working for government jobs or private throughout the day.It is worth mentioning that the play (Saqr Quraish) took out more than three months, then for some reason other than those previous, is that the exercises were not held only once, in the evening and a short time without the time to be normally exercises in working groups is well known that the training conducted by the twice a day, once in the morning and the other in the evening. And increases on the foregoing reasons, the band members, all amateurs, face for the first time, the theoretical and practical in the arts of theater and bound in their movements and their movements according to the plan drawn and not spur of the moment. However, the task force is working it should not be limited to the production of one play, and if this was acceptable in the first attempt because of the previously mentioned reasons, it can not be accepted in the next attempt. And dealing with this case, the avoidance of their causes, the most important is the lack of band members on their work for all of their time.1 - professional representationAnd have that interrupted the work of the band all the time and effort, people who have demonstrated merit and clear that they are good to serve the theater through professionalism, have revealed the first experiment the existence of at least fifteen young men, except for actresses former rally driver, and these true transferred to the Ministry of Social Affairs in the same grades which they are in jobs that occupy various ministries. If it is, including a group of government officials, is being appointed, or that the conduct of their bonuses cut off each month. It is known that professional representation in the countries of Qatar receives predicts that the theater stage in a modern production facility and it will become culturally significant.2 - the stability of the band in a home for the representation of their ownThe first thing to have a theater group known as fixed by the band known as the theater, and in this theater are organized its technical, administrative, and includes storage space for clothes and furniture and equipment for studio and landscape work .. Etc.. In terms of ministry is in the process of preparing a theatrical (Kevan), (maize), I propose that the theater (Kevan) dedicated to the shrine (a band of Arab theater).3 - The diversification provided by the band playsIn order to address (a band of Arab theater) all the layers, and affect the different levels of intellectual, cultural, and compatibility variation tastes - and this is production for all, not for a single layer, that we live in a democratic education - I see not only provide the band plays the historic Old tongue Alvsih, but also offers plays that deal with the affairs of the present values in the general humanitarian problems in Arab society - and Kuwait, the Arab community - to be written in dialect, Kuwait .. And take into account the chosen lightness of treatment and approach, and the temptation to humor is fabricating, and it is that Tesf to flatter on the downside in the public, it is known that the fundamental value of the play is not in the style chart, but in health treatment and be subject to the conditions of high art. In pursuit of the earliest examples of Egyptian writing these plays and style, to convey to the Kuwaiti dialect. And check this band (Arab theater) objectives at the same time, namely: to uphold the statement Alvsih with the revival of pages from the glories of Arab history, and present in the care of its values and its problems .. Come on Let there be no smallness.4 - Consideration of recruitment specialists in the arts of theaterTherefore, because the Arab theater production will not be less than five plays next season, the same number of plays offered by the Task Force (National Theatre) in Cairo .. In terms of the number of body art from the Egyptians list can not be any way to respond to the demands of this large-scale production .. It is where there will be two new theaters and one (the Arab Theatre) and the other to receive the representative teams attending from abroad, and must be completed every scene of them crew of technicians. In terms of the technical and administrative oversight will double and complicated, which requires that both sides have to help me. I bring this alienated new specialists, has said their jobs in the note on the budget of the Arab theater.
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