Documents the Kuwaiti theater (Episode III) Conditions for bringing the difference Prof. Dr. / Mr.Sayed Ali Ismail
Introduction: In 1961 the World Bank experts visited Kuwait, and drew their lack of institutions able to Kuwaiti citizens to enjoy and take advantage of his free times only through cinemas only. This observation Tlagaftha newspaper (the letter) of Kuwait, and woven around the subject was published under the title (for the season of art in Kuwait) - In a number of the sixth, May 1961 - taking advantage of the completion of the processing of movie theater-Andalus as two display art developed in Kuwait, and then put on a circle Labour and Social Affairs, a proposal that: invite some successful technical teams to the State of Kuwait, such as: the Egyptian theater, and the Task Lights Lebanese Folk Dance, and the Task Baalbek International Lebanese, and Reda Troupe for Folkloric Egyptian dance troupe and Allow. And identify these by name, see the difference - from the viewpoint of the newspaper - it made an art of sublime away from the excitement and licenses. And stresses the Gazette at the end of its proposal that the invitation to such a difference, to ensure a season of Kuwait technically successful. This proposal was implemented in a limited fashion; Kuwait, where the band called the National Theatre; but did not receive Alnhaj please. This information is mentioned by Mohammed Nashmi in an interview published by the letter in the 21/01/1962, it is clear that the band in question in this story, is a band of Egyptian nationalism, although not explicitly stated Mbartha. The implementation of the proposal was broadly in Kuwait celebrate the first Independence Day (National Day) on 19/6/1962; invited the State where the band City Lights from Egypt, and the Task Lights Lebanese singing and dancing, and provided final technical program with a joint task force on the Kuwaiti Arab theater movie theater-Andalus in the period from 19 to 24 June 1962, introduced the band lights a presentation entitled (Tales of Lebanon), The Task Force presented the Arab theater two plays written by Tawfiq al-Hakim and directed by Zaki Tulaimat, the first (missed the boat) Starring: Khalid Al-Nafisi, Abdul Rahman Alazaviha, and Ceyhan symbolic, and Zozo Hamdi al-Hakim. And the other play (Building Teacher Kunduz) Starring: Abdullah Khuraibet, Mary Anger, Ahmed Al Mulla, and Ceyhan, symbolic, and Abdul Wahab Sultan, and Sana chaste, and Ali Mullah Ahmed, Yusuf Al-Khatib, Asad Hussain, Issa Fahad Al-Ghanim. The transfer of TV shows in Kuwait this live broadcast. At the National Day celebrations popular band also participated for the Arts Bahraini wide range of popular songs. Because of the success of this celebration of art, established in the conscience of officials of the Ministry of Social Affairs, said there is hope in the renaissance of the Kuwaiti theater would be by inviting theater world, this view was expressed by Undersecretary Hamad Rejaib - in an interview published in newspaper (Voice of the Gulf) on 1/11/1962 - Speaking of projects in establishing the rules of drama in Kuwait, including: "Call theater world to lead active on the stages of Kuwait to raise awareness of art and see artists emerging on the offer of the predecessors in this art to take their experience and to balance between what they offer as artists junior and what is provided by the their predecessors in this regard. " This view reflects the interest of our officials in Kuwait - especially Hamad Rejaib - upgrading the level of local theater through inadvertent contact with the theater world; in order to transfer expertise from outside to inside in all components of the theatrical process. The first application for this project - or to the idea - was a call theater Egyptian national in January 1963; where she presented on the stage of secondary Shuwaikh my play (case) by Lutfi Kholi, and (beginning and end) the story of Naguib Mahfouz in the guise of a theatrical, Starring: Amina Rizk , and star Ibrahim, Khalid, spiritual, and the king of sentences, and Shafiq Noor Din, and Tawfiq Daqn, Abdel Moneim Ibrahim, Said Abu Bakr, Abdul Salam Mohammed, and others. The band met with great success and generosity of statesmen in particular His Excellency Sheikh Jaber Al-Abdullah and Minister of Education, which held a concert in honor of the band members. Kuwaiti newspapers have been elaborated to show the success of the band offers in Kuwait, including the Journal (minimum Arabism) in the first issue dated 19/1/1963, and the newspaper (public opinion) on 21/1/1963. In addition to these teams invited by the State, and submitted bids under the supervision of the government, we find other teams made arts different, such as the party's annual dance held by the band of Arab Parliaments in June 1962 Hall of social services Ahmadi; also said that the newspaper (Kuwait) in Addaha 47 and 50 June 1962 . This concert, may have been repugnant by the Kuwaiti society as Astahjntha newspaper (Voice of the Gulf), Kuwait in its coverage, saying in its eighth on 28/06/1962: "had set up oil company in Ahmadi annual celebration dance under the auspices of the Arab group has packed the dance floor in the hall social services Balragosain and dancers swaying to the music dreamy. " After three months, according to the newspaper (Kuwait) in the 60 on 8/9/1962, this band made a party by the other music, dance, singing, and acting, and a tombola, and humor, and games. Also told us the same newspaper in the 65 of October 1962 with the arrival of some spare the British fleet in the port of Al-Ahmadi; where he Aadtha several sports activities, social and play in the city of Al-Ahmadi, including the sailors ship (Polurk) to provide a comic play entitled (more than a joke) in front of a large audience Kuwaitis. Text of the document: Clear from the foregoing that the introduction of the technical teams to Kuwait - before in 1963 - was not without rules or regulations of the Organization of him, and therefore mixed arts desirable arts objectionable; so officials decided to put strict controls for this recruitment, and these controls is a document this episode of the 3 / 4 / 1963, which reads says: (Meeting) Location: the office of the Assistant Deputy Thread: Special conditions bring foreign teams Reward playwrights who worked band (Arab Theatre) plays in them
Committee met under the chairmanship of Mr. Abdul Aziz Al Sarawi, Assistant Deputy Minister and the membership of each of the two professors Zaki Tulaimat supervisor theatrical year, and Mohamed Hammam al-Hashemi expert social on 03.04.1963 and addressed to research and treatment planning rules and conditions are adhered to by all who wish to bring foreign teams from the sector private sectors, to work during the season. And ended up planning to: - First - The Ministry of Social Affairs and Labor Affairs as a supervisor of the analog supply, and the role of representation, announced in May of each year for the technical specifications of the season, which starts from November and ends in April. Intended specifications of the season, the technical elements that make up, in terms of types of teams representative (diff serious - humorous - lyrical - Ballet - folklore, etc. ..) and of course will take into account in the selection of these types of teams that Aji something to offer to revive the pleasures of intellectual, auditory and visual public It also provides him with shipments of experience working to educate and refine and improve their taste. Second - The Ministry abide by the commitments that those who pledge to bring foreign teams. The main obligations of contractors with the following: - 1 - to adhere to the technical level is determined by the ministry in terms of actors and actresses, and input from plays and so on. 2 - to restore his concerts on the date specified by the ministry. 3 - to pay a deposit of (1000) dinars, if the band that Istqdamha not belonging to the direct supervision of the State to which they belong, and reduce by half the insurance, if the band follow the exotic state supervision coming from. And lose this insurance if the contractor did not meet his promise with the exception, of course, the inevitable emergency situations, estimated the ministry alone its legitimacy. 4 - No contractor is going to bring more than one division per season unless otherwise necessary. It is clear that taken into account in the development of these commitments to achieve the following: - 1 - to be provided by foreign teams on a good level of literature, art, works to raise awareness of the technical and ethical, and ISV comments to aspects of falling in public, and be away from the arts of political and sectarian disputes. 2 - is not what that would prejudice the work of planning a decree for the exotic difference, or opens a gap when inspecting a unit of the operating units. 3 - that there will be close opportunities for those who want to bring these teams from abroad, the ministry does not fall under the influence of a single operator, after accounting for the difference in foreign orders alone and have monopolized them. Third: In the face of this ministry is committed to the contractor, including the following: - 1 - to give it for free representation by the house band that it operates Istqdamha within the limits of the possibilities of ministry. 2 - to provide him with the substantive elements of the list in terms of landscape and lighting tools and gear play, with the exception of clothing of the play. 3 - to give it the reasons for advertising in radio and television and in posters, paintings and handmade declarations. 4 - to facilitate the ceremony, customs affairs and transfer his duties to play the customs house representation and vice versa. It has been observed in the development of these pledges to encourage contractors to extend their aid to them, as they are working in the new field is difficult to establish the levels of gain and loss. This is well known - which holds a reference to him in this regard - that the United Arab Republic [Egypt] - and that she was taking days to bring the difference to the principle of foreign contractors by the disposal of the subsidy for these operators, if ascertained that one of them suffered a great loss. Fourth, make up a joint committee from the ministries of social affairs and to oversee the extension of the above and assume its implementation. Fifth: The Commission proceeded then to examine the assessment of rewards for the book Arabs, who provided them with band (Arab Theatre) plays during last season and this season, and had ended up in the ministry a telegram from Mr. Mahmoud Timor hopes the report of a reward for his plays, and selling what was not presented in Cairo and calls on the State of Kuwait to be part of a gesture to encourage the Arab authoring theater in general. The Committee considers that it is legitimate to reward the ministry playwrights who are (a band of Arab theater) in Msarhyatem, in particular, that the ministry decided the principle of encouraging writers play Kuwaiti regardless of financial reward for those fluent in writing in the theater and, above all, the care of the State of Kuwait of the formation theatrical Arab countries of the Arab Middle East, is a sign of Kuwait's desire to be promoted in a positive participation in upgrading facilities, literature and art in the land of Arabism. The Committee decided to draw the following rewards: - 500 dinars for the big play that had not previously presented in the theaters of Cairo 250 dinars for the big play that have already been made in Cairo 150 dinars for one-act play that had not previously submitted in Cairo 75 dinars for one-act plays that have already been made in Cairo Based on this estimate the Committee requests that the amounts being disbursed to the following professors Mahmoud Timor, and Tawfiq al-Hakim. Mr. Mahmoud Timor (900 KD) play Saqr Quraish 500 dinars
I play Gela 250 dinars
Play saving 150 dinars Mr. Tawfiq al-Hakim (150 dinars) a play I want to kill 75 dinars
Kunduz drama teacher 75 dinars This with the knowledge that the band is now working on two plays of the new professor of Tawfiq al-Hakim here (I want this man) and (treasure) and to be submitted in May, the opening scene of Kevan
Introduction: In 1961 the World Bank experts visited Kuwait, and drew their lack of institutions able to Kuwaiti citizens to enjoy and take advantage of his free times only through cinemas only. This observation Tlagaftha newspaper (the letter) of Kuwait, and woven around the subject was published under the title (for the season of art in Kuwait) - In a number of the sixth, May 1961 - taking advantage of the completion of the processing of movie theater-Andalus as two display art developed in Kuwait, and then put on a circle Labour and Social Affairs, a proposal that: invite some successful technical teams to the State of Kuwait, such as: the Egyptian theater, and the Task Lights Lebanese Folk Dance, and the Task Baalbek International Lebanese, and Reda Troupe for Folkloric Egyptian dance troupe and Allow. And identify these by name, see the difference - from the viewpoint of the newspaper - it made an art of sublime away from the excitement and licenses. And stresses the Gazette at the end of its proposal that the invitation to such a difference, to ensure a season of Kuwait technically successful. This proposal was implemented in a limited fashion; Kuwait, where the band called the National Theatre; but did not receive Alnhaj please. This information is mentioned by Mohammed Nashmi in an interview published by the letter in the 21/01/1962, it is clear that the band in question in this story, is a band of Egyptian nationalism, although not explicitly stated Mbartha. The implementation of the proposal was broadly in Kuwait celebrate the first Independence Day (National Day) on 19/6/1962; invited the State where the band City Lights from Egypt, and the Task Lights Lebanese singing and dancing, and provided final technical program with a joint task force on the Kuwaiti Arab theater movie theater-Andalus in the period from 19 to 24 June 1962, introduced the band lights a presentation entitled (Tales of Lebanon), The Task Force presented the Arab theater two plays written by Tawfiq al-Hakim and directed by Zaki Tulaimat, the first (missed the boat) Starring: Khalid Al-Nafisi, Abdul Rahman Alazaviha, and Ceyhan symbolic, and Zozo Hamdi al-Hakim. And the other play (Building Teacher Kunduz) Starring: Abdullah Khuraibet, Mary Anger, Ahmed Al Mulla, and Ceyhan, symbolic, and Abdul Wahab Sultan, and Sana chaste, and Ali Mullah Ahmed, Yusuf Al-Khatib, Asad Hussain, Issa Fahad Al-Ghanim. The transfer of TV shows in Kuwait this live broadcast. At the National Day celebrations popular band also participated for the Arts Bahraini wide range of popular songs. Because of the success of this celebration of art, established in the conscience of officials of the Ministry of Social Affairs, said there is hope in the renaissance of the Kuwaiti theater would be by inviting theater world, this view was expressed by Undersecretary Hamad Rejaib - in an interview published in newspaper (Voice of the Gulf) on 1/11/1962 - Speaking of projects in establishing the rules of drama in Kuwait, including: "Call theater world to lead active on the stages of Kuwait to raise awareness of art and see artists emerging on the offer of the predecessors in this art to take their experience and to balance between what they offer as artists junior and what is provided by the their predecessors in this regard. " This view reflects the interest of our officials in Kuwait - especially Hamad Rejaib - upgrading the level of local theater through inadvertent contact with the theater world; in order to transfer expertise from outside to inside in all components of the theatrical process. The first application for this project - or to the idea - was a call theater Egyptian national in January 1963; where she presented on the stage of secondary Shuwaikh my play (case) by Lutfi Kholi, and (beginning and end) the story of Naguib Mahfouz in the guise of a theatrical, Starring: Amina Rizk , and star Ibrahim, Khalid, spiritual, and the king of sentences, and Shafiq Noor Din, and Tawfiq Daqn, Abdel Moneim Ibrahim, Said Abu Bakr, Abdul Salam Mohammed, and others. The band met with great success and generosity of statesmen in particular His Excellency Sheikh Jaber Al-Abdullah and Minister of Education, which held a concert in honor of the band members. Kuwaiti newspapers have been elaborated to show the success of the band offers in Kuwait, including the Journal (minimum Arabism) in the first issue dated 19/1/1963, and the newspaper (public opinion) on 21/1/1963. In addition to these teams invited by the State, and submitted bids under the supervision of the government, we find other teams made arts different, such as the party's annual dance held by the band of Arab Parliaments in June 1962 Hall of social services Ahmadi; also said that the newspaper (Kuwait) in Addaha 47 and 50 June 1962 . This concert, may have been repugnant by the Kuwaiti society as Astahjntha newspaper (Voice of the Gulf), Kuwait in its coverage, saying in its eighth on 28/06/1962: "had set up oil company in Ahmadi annual celebration dance under the auspices of the Arab group has packed the dance floor in the hall social services Balragosain and dancers swaying to the music dreamy. " After three months, according to the newspaper (Kuwait) in the 60 on 8/9/1962, this band made a party by the other music, dance, singing, and acting, and a tombola, and humor, and games. Also told us the same newspaper in the 65 of October 1962 with the arrival of some spare the British fleet in the port of Al-Ahmadi; where he Aadtha several sports activities, social and play in the city of Al-Ahmadi, including the sailors ship (Polurk) to provide a comic play entitled (more than a joke) in front of a large audience Kuwaitis. Text of the document: Clear from the foregoing that the introduction of the technical teams to Kuwait - before in 1963 - was not without rules or regulations of the Organization of him, and therefore mixed arts desirable arts objectionable; so officials decided to put strict controls for this recruitment, and these controls is a document this episode of the 3 / 4 / 1963, which reads says: (Meeting) Location: the office of the Assistant Deputy Thread: Special conditions bring foreign teams Reward playwrights who worked band (Arab Theatre) plays in them
Committee met under the chairmanship of Mr. Abdul Aziz Al Sarawi, Assistant Deputy Minister and the membership of each of the two professors Zaki Tulaimat supervisor theatrical year, and Mohamed Hammam al-Hashemi expert social on 03.04.1963 and addressed to research and treatment planning rules and conditions are adhered to by all who wish to bring foreign teams from the sector private sectors, to work during the season. And ended up planning to: - First - The Ministry of Social Affairs and Labor Affairs as a supervisor of the analog supply, and the role of representation, announced in May of each year for the technical specifications of the season, which starts from November and ends in April. Intended specifications of the season, the technical elements that make up, in terms of types of teams representative (diff serious - humorous - lyrical - Ballet - folklore, etc. ..) and of course will take into account in the selection of these types of teams that Aji something to offer to revive the pleasures of intellectual, auditory and visual public It also provides him with shipments of experience working to educate and refine and improve their taste. Second - The Ministry abide by the commitments that those who pledge to bring foreign teams. The main obligations of contractors with the following: - 1 - to adhere to the technical level is determined by the ministry in terms of actors and actresses, and input from plays and so on. 2 - to restore his concerts on the date specified by the ministry. 3 - to pay a deposit of (1000) dinars, if the band that Istqdamha not belonging to the direct supervision of the State to which they belong, and reduce by half the insurance, if the band follow the exotic state supervision coming from. And lose this insurance if the contractor did not meet his promise with the exception, of course, the inevitable emergency situations, estimated the ministry alone its legitimacy. 4 - No contractor is going to bring more than one division per season unless otherwise necessary. It is clear that taken into account in the development of these commitments to achieve the following: - 1 - to be provided by foreign teams on a good level of literature, art, works to raise awareness of the technical and ethical, and ISV comments to aspects of falling in public, and be away from the arts of political and sectarian disputes. 2 - is not what that would prejudice the work of planning a decree for the exotic difference, or opens a gap when inspecting a unit of the operating units. 3 - that there will be close opportunities for those who want to bring these teams from abroad, the ministry does not fall under the influence of a single operator, after accounting for the difference in foreign orders alone and have monopolized them. Third: In the face of this ministry is committed to the contractor, including the following: - 1 - to give it for free representation by the house band that it operates Istqdamha within the limits of the possibilities of ministry. 2 - to provide him with the substantive elements of the list in terms of landscape and lighting tools and gear play, with the exception of clothing of the play. 3 - to give it the reasons for advertising in radio and television and in posters, paintings and handmade declarations. 4 - to facilitate the ceremony, customs affairs and transfer his duties to play the customs house representation and vice versa. It has been observed in the development of these pledges to encourage contractors to extend their aid to them, as they are working in the new field is difficult to establish the levels of gain and loss. This is well known - which holds a reference to him in this regard - that the United Arab Republic [Egypt] - and that she was taking days to bring the difference to the principle of foreign contractors by the disposal of the subsidy for these operators, if ascertained that one of them suffered a great loss. Fourth, make up a joint committee from the ministries of social affairs and to oversee the extension of the above and assume its implementation. Fifth: The Commission proceeded then to examine the assessment of rewards for the book Arabs, who provided them with band (Arab Theatre) plays during last season and this season, and had ended up in the ministry a telegram from Mr. Mahmoud Timor hopes the report of a reward for his plays, and selling what was not presented in Cairo and calls on the State of Kuwait to be part of a gesture to encourage the Arab authoring theater in general. The Committee considers that it is legitimate to reward the ministry playwrights who are (a band of Arab theater) in Msarhyatem, in particular, that the ministry decided the principle of encouraging writers play Kuwaiti regardless of financial reward for those fluent in writing in the theater and, above all, the care of the State of Kuwait of the formation theatrical Arab countries of the Arab Middle East, is a sign of Kuwait's desire to be promoted in a positive participation in upgrading facilities, literature and art in the land of Arabism. The Committee decided to draw the following rewards: - 500 dinars for the big play that had not previously presented in the theaters of Cairo 250 dinars for the big play that have already been made in Cairo 150 dinars for one-act play that had not previously submitted in Cairo 75 dinars for one-act plays that have already been made in Cairo Based on this estimate the Committee requests that the amounts being disbursed to the following professors Mahmoud Timor, and Tawfiq al-Hakim. Mr. Mahmoud Timor (900 KD) play Saqr Quraish 500 dinars
I play Gela 250 dinars
Play saving 150 dinars Mr. Tawfiq al-Hakim (150 dinars) a play I want to kill 75 dinars
Kunduz drama teacher 75 dinars This with the knowledge that the band is now working on two plays of the new professor of Tawfiq al-Hakim here (I want this man) and (treasure) and to be submitted in May, the opening scene of Kevan
The impact of the document: There is no doubt that this document is important in the present day - despite the publication in 1963 - because it shows us the first conditions for the introduction of the technical teams to Kuwait, and Administrators can now compare the conditions in force at the present time, and through comparison can deletion or addition or modification, including commensurate with the targets set for bringing the difference to upgrade the Kuwaiti theater. This document and the reader will notice that it cares about - in the first place - the audience of viewers, the Kuwaiti theater; as the conditions contained in the document concerning the (only) for the technical difference, which comes to Kuwait and entertaining to the audience! This is completely against the basic objective of bringing in technical teams - as expressed in his Hamad Rejaib mentioned earlier - where the goal was to raise the level of theater groups in Kuwait; and that the difference Baankakea expatriate, and vision of the methods developed in the technical vocabulary of their offers. From my perspective, I see that the conditions contained in this document to bring the technical teams, is the unjust conditions in this time (in 1963) .. It is difficult to apply in the country - such as Kuwait - has just begun taking its first steps in the field of art. Proof of this is that the difference was arriving in Kuwait a lot before the issuance of this document; but after the issuance of this document on its own terms, stop bringing theater just for four and a half years!! Perhaps this was due to last stop, is a complete disclosure of the Kuwaiti theater of the four eligibility, making the audience feel fulfills the local art theater, but only by the theater for incoming non-local. In spite of the issuance of a document the conditions to bring the difference to Kuwait in 1963, but that the first task force came to Kuwait after the document - and the invitation of the theater Arab Kuwaiti - were (a band Naguib Al Rihani) Egyptian in November 1967, and made three plays on a movie theater-Andalus are: (Silvna your mother), and (the story of every day), and (groom on vacation), Starring: Mary penitent, and Farid Shawki, and Nelly, and zero-Adly, Mohamed Shawky, and Suad Hussein. The presentations did not receive the desired success; according to the criteria for success in the theater that time; the veteran critic wrote that the Almighty (Al-loved of God) - then the young man - a scathing attack against the right offers in the newspaper (vigilance) on 11/12/1967 under the title (Theatre Rihani .. Balima should be), which compare the roles of Rihani core, and the roles of Farid Shawki, counterfeit, and of course the comparison is not in favor Farid Shawki, also deplored the movements artist Nelly and her clothes on stage, and no praise, only Mary's penitent fixed in their performance, as pointed out that development is only observed in the presentations was the development in the clothing in violation of social norms!! This cash and other stepped things Zrutha; Fanahalt Kuwaiti newspapers and Egyptian criticism and defamation substantive deals Task Rihani in Kuwait, to the extent that the Egyptian Ambassador in Kuwait sent a letter to the newspaper vigilance - Published on 5/2/1968 - Aban his regret of the actions of representatives of the band during the representation, During the scenes where some of the curses is decent, the dialogue open, and the Ambassador considered that the Task Rihani was the worst advertisement for Egyptian art, unlike the Reda Troupe review, which was a model supervisor of art popular in Egypt. In January 1968 came to Kuwait - for the first time - the Syrian National Theatre, and made two plays on the stage of Kevan from the world stage, namely: (sour grapes) and (Blood Wedding). And the first translation of the Faisal Yasiri and directed on his mind grooms, and Starring: Hala Shawkat, Lena Bata, Abu-Ghazaleh, and Jacob, and Issam Abahja, and Mr. Sharif, Mahmoud Yarkas. The play other is written by Lorca, directed by Asaad silver, and the representation of: praise treacly, Salim Sabri, Bahaa Simon, and Hilda momentum, and Lina Bata, and the happiest silver, Faiza Shawish, and Hala Shawkat, Mohamed Khair Halawani, and Maha Saleh, Nahla Sepahe and Alexander Aziz, Ismail Nasr, Bashar al-Nasri, and Jacob Abu Ghazala, Mahmoud Yarkas, and Issam Abahja, and Joseph Hanna, Ahmad Addas. It is worth mentioning that the band made Almsarhatin classical language, which impact on the public's demand was weak, and confirmed the newspapers - including newspaper (Voice of the Gulf) in 18/1/1968 - Kuwait that the public does not accept any heavily on the work of playwright offers Balvsahy, as indicated Gazette to the weak representation in the two works. The newspaper vigilance on 22/1/1968 I have written positively about representation in the play (Blood Wedding), which Vdiltha from its predecessor in terms of representation and the ability of representatives to the empathy and good analog performance. In November 1968 the Association stage of the Palestinian Arab - of the Movement for Liberation of Palestine (Fatah) - two plays on the stage of Kevan, the first (road) written and directed by Nasr al-Din Fouad, and the other (the people will not die) by a boy of the Revolution, and directed by Nasr al-Din Fouad. He has written good article about Jacob Ali Almsarhatin - in the newspaper (the letter) on 10/11/1968 Kuwait - under the title (the Palestinian theater .. the original experiment), which he explained that their themes Almsarhatin revolves around the Palestinian cause. In May 1969 she visited Kuwait Theater Hakim, Egyptian, and made a play (a flower of blood) by Lebanese author Dr. Suhail Idris, and directed by Kamal Yassin, Starring: Amina Rizk, and Abdullah al-Ghaith, and Suheir Babylonian, Anwar Ismail, fatalism fate, and Hamdi Hamed, and allocated its proceeds in favor of guerrilla action. The critic praised the offer Hilmi Al-Adhami, in his newspaper (lights Kuwait) on 12/5/1969. And then successively the influx of special teams to Kuwait, including the band (tribute Carioca) Egyptian - and her husband, political writer cynical Fayez Halawa - were presented on the stage of maize in 1974, a group of plays, political, including: (asleep asleep), and (the mule in the pot), and (Fat Fox), and (arch), and (Yassin and I have). And on the stage of maize is also offered to the Moroccan people Theatre - at the invitation of the National Council for Culture, Arts and Letters - My play (shrines Bediuzzaman Hamadhaani) and (Office of Sidi Abdel Rahman Al-Majzoub) in January 1976. In October of the same year Task Force presented the Egyptian theater artists united (see Macafsh need) to Adel Imam on the stage of maize, was attacked by a critical critic Nawaf Abu Al-Hija in Kuwaiti politics on 8/10/1976. Finally, we find a play (strangers), written and directed on his mind grooms, exposed the Syrian National Theatre Company in Kuwait in 1977, and was one of representation: Ahmed Addas, and Joseph Hanna, and Adnan Barakat, Abdel Mawla Gmad. He wrote the critic Mahmoud Rimawi article in the newspaper about (home) Kuwait on 13/4/1977 started by saying: "You are puzzled about how to start writing a play (such as strangers) to carry us the Syrian National Theater, as it represents the evolution of theatrical movement in Syria sister. This play brings a unique and in between the dramatic weakness and weakness, and the rigidity of the output and professionalism, and between the historical and political distortion of the Palestinian cause. " This panoramic rapid theater coming to Kuwait since 1963 - after the conditions of recruitment, according to the document published in this episode - opens the way for researchers in the march of the Kuwaiti theater of writing research; about the impact of theater expatriate offerings in theater community in Kuwait. It is certain that the offers expatriate advantages and disadvantages affected positively or negatively on the theater of Kuwait, and through this research, we can put our hands on the theater influx required for an audience of Kuwait, and useful for teams of Kuwait; as we can to put the appropriate conditions for these teams expatriate; to achieve the goal of Astkdamha. In 1977, noted the National Council for Culture, Arts and Literature in Kuwait that the offers made by the teams inflows were not at the required level; therefore recommended that the Council - at its eighth session in May of the same year - in its articles V, VI, VII, "that take into account the availability of professional quality at allow the submission of presentations performed by the teams invited from any party whatsoever for display in Kuwait ", as well as taking into account the technical level of these offers, and to assign" the Secretariat of the Council to take regular invitations for teams of Arab and foreign theater and art, which provides a sample of high and sophisticated art. " Notes: Return to the document published in this episode we will see things not related to the terms of the technical teams to bring private, which are made according to the agenda of this meeting, concerning the team of Arab theater. And my comments on some of these things might be useful to readers and researchers, and perhaps add a new dimension to the documented history of theater in Kuwait, including: 1 - the published document dated on 03.04.1963, the next day was held to test the applicants for accession to the theater in the theater of the Arab Kevan, the Committee consisted of: Tulaimat Zaki, Mohammed Nashmi, Mohamed Hammam al-Hashemi. The applicants: Egypt, Jordan, Palestine, and Iraq. The Kuwaitis are: Mishary Ahmed Abdullah, Khaled Abdel-Aziz Saqabi, Abdel-Mohsen Khalaf Sbaan Ayoub, Ali Mohamed mutes, Joseph Thurs 2 - In the fifth item - of the document - was the following: "The Committee considers that it is legitimate to reward the ministry playwrights who are (a band of Arab theater) in Msarhyatem, in particular, that the ministry decided the principle of encouraging writers play Kuwaiti regardless of financial reward for those fluent in writing in theater. " And about this book Tulaimat a letter to the Undersecretary of the Ministry of Social Affairs and Labor, in 07/04/1963, which he said: "I am pleased to Ahatk that the Task (Arab theater) made a play Kuwaiti topic (Asterthona and I am alive) by Mr. Saad Mubarak Faraj A member of the band , a writer Kuwaiti trying to be for the theater. We have already, when offered this to you, in the process of promoting pens Kuwait to write for the theater, that you would Vuadtm reward by the above-mentioned. For this I suggest that if you would, regardless the amount of fifty dinars as a reward incentive induced to continues to write for the theater. The proposal that television pays about the proposed amount of the play, which exceeds the representation of more than half an hour, this with the knowledge that sovereignty is writing a new play we offer in the third program of the band, which Sitaala the public in the next month. " This position of Tulaimat Kuwaiti theater to the book I shall devote a loop or two - the future - to talk about competitions and documents written by the first theater in Kuwait. 3 - at the end of the document was the following: "The band is now working on two plays of the new professor of Tawfiq al-Hakim here (I want this man) and (treasure) and to be submitted in May, the opening scene of Kevan." It is worth mentioning that the play (treasure) of Tawfiq al-Hakim, represented theater Arab in its second season the third starting on 4/4/1964, at the Arab theater Bkayvan, and was directed by Zaki Tulaimat, and Starring: Hussein Saleh, Kazem Hamad Ali, Mary Anger , Sana Afif, Khalid Al-Nafisi, Leila is my right. It Traúv exercises this play there is a document, a formal letter from Zaki Tulaimat to Mary Anger - on 1/3/1964 - which he said: "Miss Mary Ghadban .. Greetings, please report in writing the reason for Ngepkm for training on Saturday 29 / 2 / 1964, as Ngepkm This was the reason to disable exercises play (treasure) and participating in one of their roles representative. We hope not to repeat this and we do not have wedge to take the legally required with each of the delay, where the exercises are Cdoam official must keep them. Please accept my thanks. " Mary wrote Anger - the bottom of the letter - in response, saying: "to the presence of technical supervisor .. my mother was sick and told the theater so by telephone. Today, I am aware of the audience at 5, and thank you." He wrote Tulaimat visa, which he said: "I have not received a phone call this theater, and it was confirmed that the duty in the evening as the work is being directed to the second concert." This document - though Travcha - but reflects the stringent Tulaimat with his representatives, especially that of Mary Anger - God's mercy it - was a women's rarely at the time, and this indicates that the application of the rules and laws at that time was not differentiate between the actor and actress, does not differentiate between the star and the secondary roles
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