Abu Hayyan monotheistic .. Between heritage and contemporary Showing the State of Qatar in Damascus Theatre Festival 2008. D. Mr. Sayed Ali Ismail Qatar University
Damascus Theatre Festival XIV, which was held in December 2008, was special because it came within the celebration of Damascus as the capital of Arab culture. Adding to distinguish it offers Gulf Arab states, which are appreciated by both audiences and critics, as presented within forty theatrical shows from around the world, Arab and foreign countries. Kuwait has offered to play (wildfire) by Abdul Amir Shamkhi, and directed by Faisal Al-Amiri. The UAE has offered a play (Nimrod) by His Highness Sheikh Dr. Sultan bin Mohammed Al Qasimi, Director equitable Souissi. The Sultanate of Oman presented the play (Almnjur) directed by Ahmed bin Salim Al Balushi, as Saudi Arabia has offered a play (anxiety) by Fahad Al Harthi, Ahmed and directed by Ahmari. The State of Qatar presented the play (Abu Hayyan monotheistic: a forgotten love letter) written and directed by Hamad Al Rumaihi, is the subject of our article. Personal Abu Hayyan monotheistic Unifying historical figure mystical philosophical literary Arabic, has lived in the fourth century AH, and is one of the flags Endowed. Valtouhada known encyclopedic culture, and beauty of style and diversity of works of intellectual, political and social. However, ignoring writers of his time and Markhuh, did not write down his little, did not translate live forever mentioned healing reflect the reality of us! This exclamation ignore him sapphire Hamwi in his book (Dictionary of countries), said: "I have not seen one of the scholars mentioned in the book, not incorporated into the speech, and this is inconceivable." He took Hamwi it upon himself to write a translation of the man, gleaned from plucking stray here and there in the writings of unifying itself in some of what remained of his books, and was febrile at unifying several titles, including: the philosopher of writers and literary philosophers, and an investigator to speak, speaker, investigators, and the imam of rhetoricians. And unifying - as they say - was born in Baghdad in 310 AH and died in Shiraz, AH 414 years. It is also said that the origin of Shiraz or Nishapur or Wasit, and it is likely of Arab origin. The word (monotheistic) was the proportion of uniformity, ie the essence of Islam, and is said to be a kind of Iraqi dates, which his father was traded. When the young man became a unitary profession spells (Alorach) - no copies and selling books - a profession that allowed him to read and write reference books, the breadth and diversity, giving them the knowledge of many different, often helped in the formation of his books. Over time neglected unifying the profession, and moved about, because it does not satisfy his ambition, and did not make him a moral authority which aspires to it, so contact Bocabr people of dignitaries and politicians such as: Minister'm Brigadier General, and Minister Sahib Ibn Abbad, the Minister Almhellbi, the son of Shahoah and Abu Saadane , and Abu al-Wafa, Eng .. This communication does not benefit him, Vachtd despair in life! It is his words desperate: "I have lost all sociable and the owner, and facilities and scared, and chaste may pray in the mosque, I do not see my side of praying with me ..... the evening came a strange case, a strange word, a strange bee, strange creatures, Mstansa Balouhhh, satisfied with the unit , accustomed to silence, was part of a loss, a potential for harm. " As well as telling my father to meet the Engineer: "Save me from Altkvv, saved me from wearing poverty, Otalgueni of being warded off, Okvna food supplies, lunch and dinner. How long Alxeirh land, and Bakalh fading, and the shirt divided up? How long Altadm bread and olives? Have humiliated me to travel from country to country , let me down and stand at the door of the door, and Arif Nkerna me, me and spacing near me. " Remained monotheistic in the shade literature for many years, Vankhrt in the way of Sufism, and did not find it Momlh, causing him to resent his time and his society, go ahead and do crazy, where burned his books - in ninety years old - when he felt that his time ignored, and they are not worthy presence amid readers do not appreciate science and thought, saying: "I collected most of the people and to ask for Almthalh of them, and to hold dominion among them, and extend the prestige they have, depriving all, I had them after ten and knowledge in many times to eat vegetables in the desert, to Altkvv scandalous when private and public, and between religion and chivalry, and to the use of reputational hypocrisy, hypocrisy, and what does not improve the heat drawn by the pen, put the owner in the heart of pain. " Despite this act crazy desperate - the burning of books - have we received several books for a unifying, is the rest of the penis and its scientific precious - perhaps saved from the fire, or they copied in other places - including: interestingness and sociability, and the foresight and Alzachaúr, friendship, friend, ethics or disadvantages of the two ministers, and the references of God, and Almkabsat, and Alhuaml and Ahawaml, bigeye and praise, and a message of science, and the message of Sufism, and the letter, Baghdad, and if mental pilgrimage had no space for Hajj legitimate, knowledgeable and kindergartens. Abu Hayyan and personal theistic controversial figures in the history of the Arabs, where the split between scientists about it and the striker eulogist! Valasaglana in his book (the tongue of the balance), showed the owner that the owner of heresy and the dissolution. The golden book (Nubala) describing Baldhal atheist few false religion microscopes fabricating lies firing pin in the canon. The Abu Faraj al-Jawzi said: "The heretics of Islam are three: I'm Rawandi, and Abu Hayyan monotheistic, and Abu Alaa Maari, and most of Abu Hayyan al-Islam." In return for this mug, we found Amidhouna scientists, including Subki in his book (the major layers Shafi'i), calling it the Sufi sheikh .. Many religious .. True faith!! Theatrical text This personal anxious controversial intellectual, philosophical, historical, summoned her playwright country (Hamad Rumaihi) in his play (Abu Hayyan monotheistic: paper love forgotten), by portraying the lives of unifying all the concerns and ideas and desperation in the form of the body looking for the tomb in most Arab and Islamic countries , where roam the body, feelings, impulses troubled country: Iraq, Egypt and the Levant, and Tunisia, the Shatt al-Arab, and Shiraz .... Roamed the body of unifying these countries in search of shelter, from the torment of the comforts of life! Through this journey broadcast the author's ideas monotheistic in its dialogue with the characters of the play, the figures vary between the presence of the real historical her, Almokhtlq artistic personalities have not read about in the lives of monotheistic - according to what our hands of the references - such as personal (or unitary), and the character beloved ( water of life), and perhaps legal personality codon to the elixir of eternal life, which yearned for by the unifying of the body searching for her tomb. It is worth mentioning that the idea of punishment rights after his death, not to bury the body; the idea of a play old, addressed the book before me in their approach to the story of Antigone, and seeks to bury the body of her brother, who was sentenced to no burial as punishment for the owner, however glorified Rumaihi addressed this notion Arab ably, where the exploited exploited artistically, to become the focus of the events of the play, and artistic feast for roaming in unifying the Arab countries through the body searching for her tomb. To its credit, the text theater that the author was honest with the history of monotheistic, which was based on historical facts are known about the hero, such as referring to the trend of Sufism at the monotheistic, and the reference smart to work Balorach and dissatisfaction of the profession in moving scenes, in addition to the statement of a picture monotheistic as heretic in the eyes of some, and very devout in his faith when others. The author also explained some of the unifying political positions, and during periods of despair and entered into by friends and life, to the great disaster, when the oldest on the books burnt. These things are known about the historical monotheistic, and Rumaihi technically employed by the playwright reads, based in sincerity to some of the statements and monotheistic texts published in his books, the author refers to the positions of these quotations in the text. Perhaps these many quotations - in the text theater - and deepen Rumaihi in the writings of the monotheistic, the impact on his style theater in writing in a positive way, came words like terms unifying itself, where it came from lines of the play is saturated with controversy and philosophical phrases poetic, which enjoys the reader with more than enjoy the hearers, like the play of mind Eetmthelha reader in his mind and his imagination. An example is the chorus to say farewell in the monotheistic: "Goodbye my character is engraved in the internal memory, I ask mercy and forgiveness, of fertile soil, sad, prey for meat birds of prey nesting in the cemetery." The question that arises now is: What was the goal of Hamad Rumaihi of writing this play? Whether his goal account of the life of monotheistic known historically in the form of a play? Or goal was to discuss the views of the monotheistic? Or was it his goal to end the division of the book before this personal anxious? The truth - from my point of view - that the goal of Rumaihi of writing this play is to drop the date on the current status of the Iraq crisis - and the crisis of Arab and Islamic nation - the controversial figure used to be a unifying objective equivalent to the political crisis in Iraq now. Function and placement on this interpretation in many theatrical text, such as, for example, the following dialog, which depicts Iraq cemetery narrowed Bmutaha, Vhgerha neighborhoods, leaving their places of new graves to accommodate the dead: Abu Hayyan: (sitting in his coffin, looking to the group, she turns to leave the place) to get out of the land of Mesopotamia. Chorus: to leave a space for the dead, narrowed the graves, did you hear wailing?! Abu Hayyan (in shame) I heard, Okhjltinay bereavement (moving out of the group) to where? Chorus: to a place where there is no life where Ndary ashamed, our pain, our shame, Fjiatna, is no longer the land of the express supervised the burial of the dead Come with us. Thus, the author succeeded in the recruitment of Arab heritage in a contemporary; the expression of the current crisis is a direct way of art, achieving functional equation: combination of heritage and contemporary. Theater Play (Abu Hayyan autistic: paper love forgotten) as a play of mind, fears for his sense of loss and fuzzy when viewed on stage, especially if seized in output does not improve the understanding of their meanings, and felt her words poetically philosophical! But fortunately that is where it is given the same author Hamad Rumaihi, thus raising Rumaihi between the two goals! When presented this play in Damascus Festival Theatre, the widely acclaimed critically and Jmahera great, because of the festive and the components of distinct, showed the ability of the director in possession of tools, technical assistance team, which did not spare the tender Alerting energies technical alertness large, determined to succeed supply and offers his brilliance amid the fortieth reached a presentation at this festival. The actor (Aziz Khyoun) champion display embodying the character of monotheistic, a personal affixed to him many years to come in the minds of the public, like the character of Saladin stuck in our minds actor Ahmed Mazhar, and personal life of the chosen bound actor Anthony Quinn. Fziz Khyoun unifying the body of informed reflection, especially in the movements and signals, not to mention the loudness and dumping, and diversity in the tones change according to the case of Muqtada al-representative position. And skill of the actor in his performance, which negatively impacted on the rest of the representatives, did not affect the character in the hearts of the public supply, as affected unifying figure, and this is due to the large area of the dialogue in the text assigned to them. The actress (Lara even) that embodied the personal (the water of life) Habiba monotheistic, it was not on an equal footing artistically with her monotheistic, and this may have caused it personal fabrication is no basis in the history of monotheistic, which brought the author of the imagination, could not put with appropriate dialogue, or confrontational in his power to dialogue monotheistic, who served most of the text. This does not diminish the value of the performance of the actress, who tried in every capacity to be seen as the heroine Habiba monotheistic, but - as mentioned - Khyoun Aziz was a giant, Vthmst other characters in front of him. Deviated from this rule one person and a singer (Sunrise Muhammad), which we read the passages of lyrical tones of musical harmony, reflect the authentic Tarab, Voaadtna to the atmosphere of authentic Tarab days Star of the East Umm Kulthum. Truth be told: if Aziz Khyoun owned the stage aloud sound and outstanding performance, did not show him someone else was able to remove him from the control only singer Sunrise at-sections of songs, to the extent that the public was eager to hear from time to time, and when you get tuned to his ears, he forgets Giant Khyoun even while he was on stage. If re-Hamad Rumaihi View this play again, and gave the singer the title role, for in order to ensure a great success of the display in an unprecedented way, and eased - at the same time - the effort of Khyoun, and happier fans to see and hear the severity of the art are to be encouraged, to show visible brilliant worthy of its potential Dramatic and musical. The third hero, who contributed to the success of the show, was the lighting, which were in line with the movements of the characters and clearly expressed on the aspects of life, and formed with a poetic air to make the dialogue scenes Bojaddanh live the life of monotheistic, and its sense of groping and suffering agonies. Also, we can only commend the clothes that were in line with the age of unifying, and suggestive as the torn remnants of coffins, Ktmzk the human soul in the character of the traditional theistic, or contemporary embodied the suffering of the Iraqi people at the present time. The comparison may hold - in the future - between this play, and a play written by other Hamad Rumaihi now philosopher (Averroes). It is clear that the success of the unitary payment to the author's pursuit of the success of the last hope for through the character of another Arab heritage (Ibn Rushd). Rumaihi if committed in this color in the theater writing, it will be in the direction of a distinguished author, and his artistic message designed to recruit Arab heritage in contemporary
Damascus Theatre Festival XIV, which was held in December 2008, was special because it came within the celebration of Damascus as the capital of Arab culture. Adding to distinguish it offers Gulf Arab states, which are appreciated by both audiences and critics, as presented within forty theatrical shows from around the world, Arab and foreign countries. Kuwait has offered to play (wildfire) by Abdul Amir Shamkhi, and directed by Faisal Al-Amiri. The UAE has offered a play (Nimrod) by His Highness Sheikh Dr. Sultan bin Mohammed Al Qasimi, Director equitable Souissi. The Sultanate of Oman presented the play (Almnjur) directed by Ahmed bin Salim Al Balushi, as Saudi Arabia has offered a play (anxiety) by Fahad Al Harthi, Ahmed and directed by Ahmari. The State of Qatar presented the play (Abu Hayyan monotheistic: a forgotten love letter) written and directed by Hamad Al Rumaihi, is the subject of our article. Personal Abu Hayyan monotheistic Unifying historical figure mystical philosophical literary Arabic, has lived in the fourth century AH, and is one of the flags Endowed. Valtouhada known encyclopedic culture, and beauty of style and diversity of works of intellectual, political and social. However, ignoring writers of his time and Markhuh, did not write down his little, did not translate live forever mentioned healing reflect the reality of us! This exclamation ignore him sapphire Hamwi in his book (Dictionary of countries), said: "I have not seen one of the scholars mentioned in the book, not incorporated into the speech, and this is inconceivable." He took Hamwi it upon himself to write a translation of the man, gleaned from plucking stray here and there in the writings of unifying itself in some of what remained of his books, and was febrile at unifying several titles, including: the philosopher of writers and literary philosophers, and an investigator to speak, speaker, investigators, and the imam of rhetoricians. And unifying - as they say - was born in Baghdad in 310 AH and died in Shiraz, AH 414 years. It is also said that the origin of Shiraz or Nishapur or Wasit, and it is likely of Arab origin. The word (monotheistic) was the proportion of uniformity, ie the essence of Islam, and is said to be a kind of Iraqi dates, which his father was traded. When the young man became a unitary profession spells (Alorach) - no copies and selling books - a profession that allowed him to read and write reference books, the breadth and diversity, giving them the knowledge of many different, often helped in the formation of his books. Over time neglected unifying the profession, and moved about, because it does not satisfy his ambition, and did not make him a moral authority which aspires to it, so contact Bocabr people of dignitaries and politicians such as: Minister'm Brigadier General, and Minister Sahib Ibn Abbad, the Minister Almhellbi, the son of Shahoah and Abu Saadane , and Abu al-Wafa, Eng .. This communication does not benefit him, Vachtd despair in life! It is his words desperate: "I have lost all sociable and the owner, and facilities and scared, and chaste may pray in the mosque, I do not see my side of praying with me ..... the evening came a strange case, a strange word, a strange bee, strange creatures, Mstansa Balouhhh, satisfied with the unit , accustomed to silence, was part of a loss, a potential for harm. " As well as telling my father to meet the Engineer: "Save me from Altkvv, saved me from wearing poverty, Otalgueni of being warded off, Okvna food supplies, lunch and dinner. How long Alxeirh land, and Bakalh fading, and the shirt divided up? How long Altadm bread and olives? Have humiliated me to travel from country to country , let me down and stand at the door of the door, and Arif Nkerna me, me and spacing near me. " Remained monotheistic in the shade literature for many years, Vankhrt in the way of Sufism, and did not find it Momlh, causing him to resent his time and his society, go ahead and do crazy, where burned his books - in ninety years old - when he felt that his time ignored, and they are not worthy presence amid readers do not appreciate science and thought, saying: "I collected most of the people and to ask for Almthalh of them, and to hold dominion among them, and extend the prestige they have, depriving all, I had them after ten and knowledge in many times to eat vegetables in the desert, to Altkvv scandalous when private and public, and between religion and chivalry, and to the use of reputational hypocrisy, hypocrisy, and what does not improve the heat drawn by the pen, put the owner in the heart of pain. " Despite this act crazy desperate - the burning of books - have we received several books for a unifying, is the rest of the penis and its scientific precious - perhaps saved from the fire, or they copied in other places - including: interestingness and sociability, and the foresight and Alzachaúr, friendship, friend, ethics or disadvantages of the two ministers, and the references of God, and Almkabsat, and Alhuaml and Ahawaml, bigeye and praise, and a message of science, and the message of Sufism, and the letter, Baghdad, and if mental pilgrimage had no space for Hajj legitimate, knowledgeable and kindergartens. Abu Hayyan and personal theistic controversial figures in the history of the Arabs, where the split between scientists about it and the striker eulogist! Valasaglana in his book (the tongue of the balance), showed the owner that the owner of heresy and the dissolution. The golden book (Nubala) describing Baldhal atheist few false religion microscopes fabricating lies firing pin in the canon. The Abu Faraj al-Jawzi said: "The heretics of Islam are three: I'm Rawandi, and Abu Hayyan monotheistic, and Abu Alaa Maari, and most of Abu Hayyan al-Islam." In return for this mug, we found Amidhouna scientists, including Subki in his book (the major layers Shafi'i), calling it the Sufi sheikh .. Many religious .. True faith!! Theatrical text This personal anxious controversial intellectual, philosophical, historical, summoned her playwright country (Hamad Rumaihi) in his play (Abu Hayyan monotheistic: paper love forgotten), by portraying the lives of unifying all the concerns and ideas and desperation in the form of the body looking for the tomb in most Arab and Islamic countries , where roam the body, feelings, impulses troubled country: Iraq, Egypt and the Levant, and Tunisia, the Shatt al-Arab, and Shiraz .... Roamed the body of unifying these countries in search of shelter, from the torment of the comforts of life! Through this journey broadcast the author's ideas monotheistic in its dialogue with the characters of the play, the figures vary between the presence of the real historical her, Almokhtlq artistic personalities have not read about in the lives of monotheistic - according to what our hands of the references - such as personal (or unitary), and the character beloved ( water of life), and perhaps legal personality codon to the elixir of eternal life, which yearned for by the unifying of the body searching for her tomb. It is worth mentioning that the idea of punishment rights after his death, not to bury the body; the idea of a play old, addressed the book before me in their approach to the story of Antigone, and seeks to bury the body of her brother, who was sentenced to no burial as punishment for the owner, however glorified Rumaihi addressed this notion Arab ably, where the exploited exploited artistically, to become the focus of the events of the play, and artistic feast for roaming in unifying the Arab countries through the body searching for her tomb. To its credit, the text theater that the author was honest with the history of monotheistic, which was based on historical facts are known about the hero, such as referring to the trend of Sufism at the monotheistic, and the reference smart to work Balorach and dissatisfaction of the profession in moving scenes, in addition to the statement of a picture monotheistic as heretic in the eyes of some, and very devout in his faith when others. The author also explained some of the unifying political positions, and during periods of despair and entered into by friends and life, to the great disaster, when the oldest on the books burnt. These things are known about the historical monotheistic, and Rumaihi technically employed by the playwright reads, based in sincerity to some of the statements and monotheistic texts published in his books, the author refers to the positions of these quotations in the text. Perhaps these many quotations - in the text theater - and deepen Rumaihi in the writings of the monotheistic, the impact on his style theater in writing in a positive way, came words like terms unifying itself, where it came from lines of the play is saturated with controversy and philosophical phrases poetic, which enjoys the reader with more than enjoy the hearers, like the play of mind Eetmthelha reader in his mind and his imagination. An example is the chorus to say farewell in the monotheistic: "Goodbye my character is engraved in the internal memory, I ask mercy and forgiveness, of fertile soil, sad, prey for meat birds of prey nesting in the cemetery." The question that arises now is: What was the goal of Hamad Rumaihi of writing this play? Whether his goal account of the life of monotheistic known historically in the form of a play? Or goal was to discuss the views of the monotheistic? Or was it his goal to end the division of the book before this personal anxious? The truth - from my point of view - that the goal of Rumaihi of writing this play is to drop the date on the current status of the Iraq crisis - and the crisis of Arab and Islamic nation - the controversial figure used to be a unifying objective equivalent to the political crisis in Iraq now. Function and placement on this interpretation in many theatrical text, such as, for example, the following dialog, which depicts Iraq cemetery narrowed Bmutaha, Vhgerha neighborhoods, leaving their places of new graves to accommodate the dead: Abu Hayyan: (sitting in his coffin, looking to the group, she turns to leave the place) to get out of the land of Mesopotamia. Chorus: to leave a space for the dead, narrowed the graves, did you hear wailing?! Abu Hayyan (in shame) I heard, Okhjltinay bereavement (moving out of the group) to where? Chorus: to a place where there is no life where Ndary ashamed, our pain, our shame, Fjiatna, is no longer the land of the express supervised the burial of the dead Come with us. Thus, the author succeeded in the recruitment of Arab heritage in a contemporary; the expression of the current crisis is a direct way of art, achieving functional equation: combination of heritage and contemporary. Theater Play (Abu Hayyan autistic: paper love forgotten) as a play of mind, fears for his sense of loss and fuzzy when viewed on stage, especially if seized in output does not improve the understanding of their meanings, and felt her words poetically philosophical! But fortunately that is where it is given the same author Hamad Rumaihi, thus raising Rumaihi between the two goals! When presented this play in Damascus Festival Theatre, the widely acclaimed critically and Jmahera great, because of the festive and the components of distinct, showed the ability of the director in possession of tools, technical assistance team, which did not spare the tender Alerting energies technical alertness large, determined to succeed supply and offers his brilliance amid the fortieth reached a presentation at this festival. The actor (Aziz Khyoun) champion display embodying the character of monotheistic, a personal affixed to him many years to come in the minds of the public, like the character of Saladin stuck in our minds actor Ahmed Mazhar, and personal life of the chosen bound actor Anthony Quinn. Fziz Khyoun unifying the body of informed reflection, especially in the movements and signals, not to mention the loudness and dumping, and diversity in the tones change according to the case of Muqtada al-representative position. And skill of the actor in his performance, which negatively impacted on the rest of the representatives, did not affect the character in the hearts of the public supply, as affected unifying figure, and this is due to the large area of the dialogue in the text assigned to them. The actress (Lara even) that embodied the personal (the water of life) Habiba monotheistic, it was not on an equal footing artistically with her monotheistic, and this may have caused it personal fabrication is no basis in the history of monotheistic, which brought the author of the imagination, could not put with appropriate dialogue, or confrontational in his power to dialogue monotheistic, who served most of the text. This does not diminish the value of the performance of the actress, who tried in every capacity to be seen as the heroine Habiba monotheistic, but - as mentioned - Khyoun Aziz was a giant, Vthmst other characters in front of him. Deviated from this rule one person and a singer (Sunrise Muhammad), which we read the passages of lyrical tones of musical harmony, reflect the authentic Tarab, Voaadtna to the atmosphere of authentic Tarab days Star of the East Umm Kulthum. Truth be told: if Aziz Khyoun owned the stage aloud sound and outstanding performance, did not show him someone else was able to remove him from the control only singer Sunrise at-sections of songs, to the extent that the public was eager to hear from time to time, and when you get tuned to his ears, he forgets Giant Khyoun even while he was on stage. If re-Hamad Rumaihi View this play again, and gave the singer the title role, for in order to ensure a great success of the display in an unprecedented way, and eased - at the same time - the effort of Khyoun, and happier fans to see and hear the severity of the art are to be encouraged, to show visible brilliant worthy of its potential Dramatic and musical. The third hero, who contributed to the success of the show, was the lighting, which were in line with the movements of the characters and clearly expressed on the aspects of life, and formed with a poetic air to make the dialogue scenes Bojaddanh live the life of monotheistic, and its sense of groping and suffering agonies. Also, we can only commend the clothes that were in line with the age of unifying, and suggestive as the torn remnants of coffins, Ktmzk the human soul in the character of the traditional theistic, or contemporary embodied the suffering of the Iraqi people at the present time. The comparison may hold - in the future - between this play, and a play written by other Hamad Rumaihi now philosopher (Averroes). It is clear that the success of the unitary payment to the author's pursuit of the success of the last hope for through the character of another Arab heritage (Ibn Rushd). Rumaihi if committed in this color in the theater writing, it will be in the direction of a distinguished author, and his artistic message designed to recruit Arab heritage in contemporary
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