Documents the Kuwaiti theater (Final episode) Report on the first experience for the development of theatrical activity in Kuwait in 1963 Prof. Dr. / Mr. Sayed Ali Ismail
Introduction: In the previous three episodes, presented some of the documents and the theater in Kuwait regarding the establishment of a government task force first play, a group of Arab theater, and offered the perspective of technical supervisor of this band - Zaki Tulaimat - the issue of professional representatives Kuwaitis. These documents covered the two years of the troupe, presented in two seasons playwrights .. Plays: haggard, and missed the boat, and architecture teacher Kunduz, the son of Gela, and saving, and Asterthona and I am alive. After the composition of the band and standing on solid ground - based on sound scientific planning - and presented a successful theatrical performances in two seasons; was the duty of officials assess the proper assessment of this experience; to find out the positives and negatives in an attempt to drive traffic to the play forward. This assessment is the theme of this episode and the document dated 06.18.1963 CE, text says:
Kuwait Ministry of Social Affairs and Labor Meeting Minutes Search the annual report of Professor Zaki Tulaimat Technical supervisor, a special experiment first made by the Ministry For the development of theatrical activity in Kuwait, with the future layouts
Time and place: the office of the Undersecretary of the Ministry of Social Affairs and Labour, on the afternoon of Tuesday, 18/6/1963 at six. Audience: Teachers: - Hamad Al-Essa Zaki Rejaib Tulaimat Mohammed Abdullah Al-Fahad Al Hashimi Mohamed Hammam Topic: to discuss the above-mentioned report, the results of the efforts made towards the establishment of an Arab theater concepts of sound, and at the level consistent with the renaissance of Kuwait. The report, after the draw stages of the band (Arab theater) since its establishment in October 1961 and the inevitable difficulties that crossed out, the report ends with two things: - First: - A - propose a plan of construction to ensure that the Kuwaiti theater brings new faces to the good education and preparedness capacity of public and private education. B - the formation of (Supreme Council for the care of Fine Arts and Literature) will organize the care of State for Fine Arts, and coordinate the efforts of various ministries, and civil organizations, in order to improve the fine arts. C - the completion proposal to establish a Foundation for the Arts theater, music and folklore to emanate from the Supreme Council for the coordination of efforts undertaken by the Ministry of Social Affairs and Labor in the Arab theater and folk theater, Theatre and social development, and it may be that emerging from the bodies of modern art. Second - Strengthening (a band of Arab theater) to complete the administrative elements of composition and craft and remedy the weaknesses existing in it. Resolutions: After a discussion of the above detailed method to determine the following: - First, plan the construction: - 1 - to establish a (section) of the studies within the scope of the play center (care for folk art) as a pilot phase first, to see the success of this study and the enthusiasm of the young people, as well as a section for musical studies. The committee was Mr. Zaki Tulaimat a draft section on theatrical studies in preparation for discussion and approval and the assumption of its implementation. These studies will be conducted either in the (theater fatty) or (Kevan theater) or in the current location (care center for folk arts). This ministry will study the possibility of the (observer training) at the Diwan of the staff, the disbursement of these studies, as they are two new colors for the color of vocational and technical training. 2 - to continue the proceedings taken by the ministry towards the formation of (the Supreme Council for the care of Arts and Letters) and contact the authorities concerned, after approval of the Council of Ministers. Second: Arab Theatre Company: - 1 - to encourage the adoption of professional theater Arab depending upon what is contained in the report. 2 - The Professor Zaki Tulaimat develop internal regulations of the Arab Theatre after a review of the regulations in force in the difference Organization of the Republic, United Arab so Tgi Regulation in agreement and the circumstances of the environment play Kuwait a list, which determine the responsibilities of the band members about the ministry and the vice versa is also working on the application of the system and the achievement of the curriculum Decree . 3 - take all that would nearly induction of Kuwaiti youth, members of professional band and others, to take over the administrative functions and craft the band in order to complete an element of the existence of self-faces, Kuwait, particularly since the ministry and is currently supervising the (theater Kevan) and (theater fatty ) and is in dire need of managers and craftsmen should be most of the Kuwaiti youth. 4 - agree to renew the contracts of the technical and administrative Arab theater and they are: - - Mansour, Nice .. Management and technical assistance. - Mohammed Sadiq al .. Theater movement. - Ibrahim Osman .. Installation of landscape and Makanest. - Mahmoud Naseer .. Theatrical lighting. - Mohamed Abdel-Hamid .. Layout artist face. And the acceptance of applications submitted by Mr. / Mohamed Safwat (teleprompter) and Mr. / Esmat Khalil (theater of social development), and Mrs. Zozo Hamdi, Ramzi Hakim and Ceyhan, on the desire not to renew the contract, each starting from the first of October 1963. And to assign Mr. Zaki Tulaimat Find others with them and contracting with artists for training and directing in the theater of social development. 5 - introduction (guests of honor) for a Women's Division, which is based on the contract with the actresses first who would choose depending on the plays that decided introduced in the next season, to be hired for a month and a half month in the latest and rewarding piece to commit to the ministry for payment of travel and stay and move . 6 - deferred the proposal to invite some of the great writers of the play and host for a period of two or three months, hoping to record their impressions of life in Kuwait plays write them. This proposal was deferred to know what outcome of the game authoring theater announced by the ministry. 7 - to postpone the appointment (Musharraf) is a playwright and fatty Kevan, to the next year until it becomes clear the functioning of the demobilized ex-to be available in this (supervisor) qualities of the specialist who had previously practiced in this area. 8 - Adoption of the above decision of the Committee which was formed on 3.4.1963 under the chairmanship of Assistant Undersecretary, to determine financial rewards to writers who (Arab theater troupe) plays for them. The main decisions in the following special bonuses draw: - 500 dinars for the big play that had not previously presented in the theaters of Cairo. 250 dinars for the big play previously submitted by the Cairo theaters. 150 dinars for one-act play that had never submitted Bmsarh Cairo. 75 dinars to the one-act play that had been submitted Bmsarh Cairo. Based on this report, the amounts being disbursed to the following professors: - Mahmoud Timor: a play haggard (new) 500 dinars
I play for Gela (old) 250 dinars
Saving of a play (new) 150 dinars
900 dinars Tawfiq al-Hakim: Of a play I want to kill (old) 75 dinars To play the teacher Kunduz (old) 75 dinars
KD 150 And payment of these bonuses in line and have already decided the ministry in terms of promoting the play of Kuwait, regardless of financial rewards for those fluent in writing in the theater, and the care of the State of Kuwait for the written Arabic theater in general and in the countries of the Arab Middle East is a sign of the desire of Kuwait promoted to be a Positive in promoting art and literature in the land of Arabism. (The meeting ended with the Committee at 8.45 pm) Signatures Zaki Tulaimat .. Mohamed Hammam al-Hashemi .. Mohammed Abdullah Al-Fahad .. Hamad Issa Rejaib Analysis of the document: Close this episode with great historical significance in the Kuwaiti theater, it is evidence that officials were Iqiamon their work each time period; for the improvement and development and debugging, or avoided; Two years after the establishment of the Task Arab theater and presentation of six plays, it was necessary to assess the administrative and technical work, in order to develop and continue on the basis of sound methodology. The reader may think that this document was just a paper written by a committee of the ministry, and the mere words did not apply on the ground! This probably will fade from the mind of the reader when he reads some of the analytical terms of this document, including: 1 - that the Commission has proposed to provide the (Kuwaiti theater) with new faces. Truth be told, the new faces had come to the Arab theater frequently; and I will stop when the two sides of specific situations, which are of special historical importance. The first side is (Ahmad Abdul Aziz Al-Jarallah), I referred to in the first episode passing reference as a amateur applicants to join the band Arab theater at the beginning, because I thought that the name has nothing to do as a political writer, the Great (Ahmed Al-Jarallah) Dean of the Kuwaiti press , and the editor (politics) of Kuwait. When I returned to the documents and the depth in which to consider any request enrollment Jarallah band was accompanied by a clearly in profile, which confirmed to me that the artist theater (Ahmad Abdel Aziz Al-Jarallah), who joined the team of Arab theater in the restored first in 1961, is a great writer and dean of the Kuwaiti press (Ahmed Jarallah). So technically she documents a history unknown to Ahmed Al-Jarallah, next to the journalist and political history. And documents in the hands of showing that Al-Jarallah - Secretary General of the stores in 1961 - he joined the team of Arab theater with Raalha first, and the level of art - according to the tests - Technical (above average), however, was already roles simple offerings in the band in season one, especially a play (haggard). The other side of the artist is able Elmrhoma (good Abdullah Faraj) - the wife of the artist Almighty Jassim Nabhan - which combines references and sources, I joined the team as a popular theater in 1963. What is new - according to a document important historical - they joined the team this year in the Arab theater, popular theater no team! The document is a formal request by the artist's father (Abdullah Faraj) to Tulaimat Zaki on 9/11/1963, said: "Dear Professor Technical Supervisor-General, after greetings and more respect, I agree that under the participation of my daughter, Ms. Abdullah Faraj good actress Arab theater, and this approval and the approval of me so. " And bottom of the recognizing wrote Zaki Tulaimat visa to Hamad Rejaib which he said: "The Honourable Deputy Minister of Social Affairs, please approve, this with the knowledge that Ms. mentioned Kuwaiti pure, was attended with her father, Mr. Abdullah Al-Faraj, and accept more respect." The highest point Tulaimat approval, saying: "creates a file named (Women's requests for admission to theater Arab)." In spite of the fact the official blog in this document, which proves that good vagina representative team of Arab theater, but her first appearance was in the theater popular in the play (its inhabitants his wife,), which offered the theater Kevan in January 1964, and has a good vagina role of eldest daughter (honest), and the role (or Nasser) in the play (wrong O NAS) for the theater popular also in June 1964, and in November of the same year we find the role (maternal aunt) in the play (luck breaking the rock) to the theater of Kuwait, which accounted for her also play in March 1965 (Tarab rest become broke) and the role (or Saqr). Thus we find a good vagina join the team of Arab theater, then move on to the popular, and then to Kuwait in a few months. And interpretation of this situation - from my point of view - due to the lack of women in the early period of the Kuwaiti theater, and these elements have made a few women's limited moves from band to another regardless of the subordination of certain representative squad. 2 - review of the previous topic, especially in the phrase contained in the document that the Commission proposes to provide (the Kuwaiti theater) new faces combine artistic talent and the education and culture; noticed the words (the Kuwaiti theater) came general; any that the Commission did not confine it to the theater Arab and alone, but it was circulated to the Task Force also includes the popular theater, Theatre and social development, school, theater, or guideline, and the military theater, and finally the Persian Gulf theater group that went on 13.5.1963, before the issuance of this document for less than a month. This means that the officials did not distinguish the difference between the Kuwaiti theater at this time, as is common - so far - that the officials Miyazawa theater from the rest of the Arab theater in that period. This would also reflect the interest of officials, education and the education and training representatives with the beginning of the Renaissance theater Kuwait, and that education was not limited to seminars or lectures or training workshops; but the back of a giant in the form of systematic study under the name Center (Theatre Studies) in 1964, which expanded continued and became (Institute of Theatre Studies) in 1969, then became the development and elevated (Higher Institute of Dramatic Art) in 1973, who still leads his art across the Persian Gulf, and extends the theater and the Arab Gulf distinctive elements of art. Anyone who wants to learn more about the Institute - or the technical architecture (GCC) - can read a book (theatrical history of the Institute in Kuwait), published in Kuwait in 1999.
Introduction: In the previous three episodes, presented some of the documents and the theater in Kuwait regarding the establishment of a government task force first play, a group of Arab theater, and offered the perspective of technical supervisor of this band - Zaki Tulaimat - the issue of professional representatives Kuwaitis. These documents covered the two years of the troupe, presented in two seasons playwrights .. Plays: haggard, and missed the boat, and architecture teacher Kunduz, the son of Gela, and saving, and Asterthona and I am alive. After the composition of the band and standing on solid ground - based on sound scientific planning - and presented a successful theatrical performances in two seasons; was the duty of officials assess the proper assessment of this experience; to find out the positives and negatives in an attempt to drive traffic to the play forward. This assessment is the theme of this episode and the document dated 06.18.1963 CE, text says:
Kuwait Ministry of Social Affairs and Labor Meeting Minutes Search the annual report of Professor Zaki Tulaimat Technical supervisor, a special experiment first made by the Ministry For the development of theatrical activity in Kuwait, with the future layouts
Time and place: the office of the Undersecretary of the Ministry of Social Affairs and Labour, on the afternoon of Tuesday, 18/6/1963 at six. Audience: Teachers: - Hamad Al-Essa Zaki Rejaib Tulaimat Mohammed Abdullah Al-Fahad Al Hashimi Mohamed Hammam Topic: to discuss the above-mentioned report, the results of the efforts made towards the establishment of an Arab theater concepts of sound, and at the level consistent with the renaissance of Kuwait. The report, after the draw stages of the band (Arab theater) since its establishment in October 1961 and the inevitable difficulties that crossed out, the report ends with two things: - First: - A - propose a plan of construction to ensure that the Kuwaiti theater brings new faces to the good education and preparedness capacity of public and private education. B - the formation of (Supreme Council for the care of Fine Arts and Literature) will organize the care of State for Fine Arts, and coordinate the efforts of various ministries, and civil organizations, in order to improve the fine arts. C - the completion proposal to establish a Foundation for the Arts theater, music and folklore to emanate from the Supreme Council for the coordination of efforts undertaken by the Ministry of Social Affairs and Labor in the Arab theater and folk theater, Theatre and social development, and it may be that emerging from the bodies of modern art. Second - Strengthening (a band of Arab theater) to complete the administrative elements of composition and craft and remedy the weaknesses existing in it. Resolutions: After a discussion of the above detailed method to determine the following: - First, plan the construction: - 1 - to establish a (section) of the studies within the scope of the play center (care for folk art) as a pilot phase first, to see the success of this study and the enthusiasm of the young people, as well as a section for musical studies. The committee was Mr. Zaki Tulaimat a draft section on theatrical studies in preparation for discussion and approval and the assumption of its implementation. These studies will be conducted either in the (theater fatty) or (Kevan theater) or in the current location (care center for folk arts). This ministry will study the possibility of the (observer training) at the Diwan of the staff, the disbursement of these studies, as they are two new colors for the color of vocational and technical training. 2 - to continue the proceedings taken by the ministry towards the formation of (the Supreme Council for the care of Arts and Letters) and contact the authorities concerned, after approval of the Council of Ministers. Second: Arab Theatre Company: - 1 - to encourage the adoption of professional theater Arab depending upon what is contained in the report. 2 - The Professor Zaki Tulaimat develop internal regulations of the Arab Theatre after a review of the regulations in force in the difference Organization of the Republic, United Arab so Tgi Regulation in agreement and the circumstances of the environment play Kuwait a list, which determine the responsibilities of the band members about the ministry and the vice versa is also working on the application of the system and the achievement of the curriculum Decree . 3 - take all that would nearly induction of Kuwaiti youth, members of professional band and others, to take over the administrative functions and craft the band in order to complete an element of the existence of self-faces, Kuwait, particularly since the ministry and is currently supervising the (theater Kevan) and (theater fatty ) and is in dire need of managers and craftsmen should be most of the Kuwaiti youth. 4 - agree to renew the contracts of the technical and administrative Arab theater and they are: - - Mansour, Nice .. Management and technical assistance. - Mohammed Sadiq al .. Theater movement. - Ibrahim Osman .. Installation of landscape and Makanest. - Mahmoud Naseer .. Theatrical lighting. - Mohamed Abdel-Hamid .. Layout artist face. And the acceptance of applications submitted by Mr. / Mohamed Safwat (teleprompter) and Mr. / Esmat Khalil (theater of social development), and Mrs. Zozo Hamdi, Ramzi Hakim and Ceyhan, on the desire not to renew the contract, each starting from the first of October 1963. And to assign Mr. Zaki Tulaimat Find others with them and contracting with artists for training and directing in the theater of social development. 5 - introduction (guests of honor) for a Women's Division, which is based on the contract with the actresses first who would choose depending on the plays that decided introduced in the next season, to be hired for a month and a half month in the latest and rewarding piece to commit to the ministry for payment of travel and stay and move . 6 - deferred the proposal to invite some of the great writers of the play and host for a period of two or three months, hoping to record their impressions of life in Kuwait plays write them. This proposal was deferred to know what outcome of the game authoring theater announced by the ministry. 7 - to postpone the appointment (Musharraf) is a playwright and fatty Kevan, to the next year until it becomes clear the functioning of the demobilized ex-to be available in this (supervisor) qualities of the specialist who had previously practiced in this area. 8 - Adoption of the above decision of the Committee which was formed on 3.4.1963 under the chairmanship of Assistant Undersecretary, to determine financial rewards to writers who (Arab theater troupe) plays for them. The main decisions in the following special bonuses draw: - 500 dinars for the big play that had not previously presented in the theaters of Cairo. 250 dinars for the big play previously submitted by the Cairo theaters. 150 dinars for one-act play that had never submitted Bmsarh Cairo. 75 dinars to the one-act play that had been submitted Bmsarh Cairo. Based on this report, the amounts being disbursed to the following professors: - Mahmoud Timor: a play haggard (new) 500 dinars
I play for Gela (old) 250 dinars
Saving of a play (new) 150 dinars
900 dinars Tawfiq al-Hakim: Of a play I want to kill (old) 75 dinars To play the teacher Kunduz (old) 75 dinars
KD 150 And payment of these bonuses in line and have already decided the ministry in terms of promoting the play of Kuwait, regardless of financial rewards for those fluent in writing in the theater, and the care of the State of Kuwait for the written Arabic theater in general and in the countries of the Arab Middle East is a sign of the desire of Kuwait promoted to be a Positive in promoting art and literature in the land of Arabism. (The meeting ended with the Committee at 8.45 pm) Signatures Zaki Tulaimat .. Mohamed Hammam al-Hashemi .. Mohammed Abdullah Al-Fahad .. Hamad Issa Rejaib Analysis of the document: Close this episode with great historical significance in the Kuwaiti theater, it is evidence that officials were Iqiamon their work each time period; for the improvement and development and debugging, or avoided; Two years after the establishment of the Task Arab theater and presentation of six plays, it was necessary to assess the administrative and technical work, in order to develop and continue on the basis of sound methodology. The reader may think that this document was just a paper written by a committee of the ministry, and the mere words did not apply on the ground! This probably will fade from the mind of the reader when he reads some of the analytical terms of this document, including: 1 - that the Commission has proposed to provide the (Kuwaiti theater) with new faces. Truth be told, the new faces had come to the Arab theater frequently; and I will stop when the two sides of specific situations, which are of special historical importance. The first side is (Ahmad Abdul Aziz Al-Jarallah), I referred to in the first episode passing reference as a amateur applicants to join the band Arab theater at the beginning, because I thought that the name has nothing to do as a political writer, the Great (Ahmed Al-Jarallah) Dean of the Kuwaiti press , and the editor (politics) of Kuwait. When I returned to the documents and the depth in which to consider any request enrollment Jarallah band was accompanied by a clearly in profile, which confirmed to me that the artist theater (Ahmad Abdel Aziz Al-Jarallah), who joined the team of Arab theater in the restored first in 1961, is a great writer and dean of the Kuwaiti press (Ahmed Jarallah). So technically she documents a history unknown to Ahmed Al-Jarallah, next to the journalist and political history. And documents in the hands of showing that Al-Jarallah - Secretary General of the stores in 1961 - he joined the team of Arab theater with Raalha first, and the level of art - according to the tests - Technical (above average), however, was already roles simple offerings in the band in season one, especially a play (haggard). The other side of the artist is able Elmrhoma (good Abdullah Faraj) - the wife of the artist Almighty Jassim Nabhan - which combines references and sources, I joined the team as a popular theater in 1963. What is new - according to a document important historical - they joined the team this year in the Arab theater, popular theater no team! The document is a formal request by the artist's father (Abdullah Faraj) to Tulaimat Zaki on 9/11/1963, said: "Dear Professor Technical Supervisor-General, after greetings and more respect, I agree that under the participation of my daughter, Ms. Abdullah Faraj good actress Arab theater, and this approval and the approval of me so. " And bottom of the recognizing wrote Zaki Tulaimat visa to Hamad Rejaib which he said: "The Honourable Deputy Minister of Social Affairs, please approve, this with the knowledge that Ms. mentioned Kuwaiti pure, was attended with her father, Mr. Abdullah Al-Faraj, and accept more respect." The highest point Tulaimat approval, saying: "creates a file named (Women's requests for admission to theater Arab)." In spite of the fact the official blog in this document, which proves that good vagina representative team of Arab theater, but her first appearance was in the theater popular in the play (its inhabitants his wife,), which offered the theater Kevan in January 1964, and has a good vagina role of eldest daughter (honest), and the role (or Nasser) in the play (wrong O NAS) for the theater popular also in June 1964, and in November of the same year we find the role (maternal aunt) in the play (luck breaking the rock) to the theater of Kuwait, which accounted for her also play in March 1965 (Tarab rest become broke) and the role (or Saqr). Thus we find a good vagina join the team of Arab theater, then move on to the popular, and then to Kuwait in a few months. And interpretation of this situation - from my point of view - due to the lack of women in the early period of the Kuwaiti theater, and these elements have made a few women's limited moves from band to another regardless of the subordination of certain representative squad. 2 - review of the previous topic, especially in the phrase contained in the document that the Commission proposes to provide (the Kuwaiti theater) new faces combine artistic talent and the education and culture; noticed the words (the Kuwaiti theater) came general; any that the Commission did not confine it to the theater Arab and alone, but it was circulated to the Task Force also includes the popular theater, Theatre and social development, school, theater, or guideline, and the military theater, and finally the Persian Gulf theater group that went on 13.5.1963, before the issuance of this document for less than a month. This means that the officials did not distinguish the difference between the Kuwaiti theater at this time, as is common - so far - that the officials Miyazawa theater from the rest of the Arab theater in that period. This would also reflect the interest of officials, education and the education and training representatives with the beginning of the Renaissance theater Kuwait, and that education was not limited to seminars or lectures or training workshops; but the back of a giant in the form of systematic study under the name Center (Theatre Studies) in 1964, which expanded continued and became (Institute of Theatre Studies) in 1969, then became the development and elevated (Higher Institute of Dramatic Art) in 1973, who still leads his art across the Persian Gulf, and extends the theater and the Arab Gulf distinctive elements of art. Anyone who wants to learn more about the Institute - or the technical architecture (GCC) - can read a book (theatrical history of the Institute in Kuwait), published in Kuwait in 1999.
3 - the reader will notice that the document speaks of measures will be to form (the Supreme Council for the care of Arts and Letters). This is a historical moment in our time; because this Council is the foundation upon which the establishment (the National Council for Culture, Arts and Letters) in 1973 in Kuwait. The documentation says that the owner of this proposal (Zaki Tulaimat), which provides - to the Undersecretary Hamad Rejaib - explanatory note dated 8/5/1963, regarding the formation of a higher council for the care of fine arts and literature, followed by the prime minister directly. What is mentioned in this note was the theoretical basis for the establishment of the National Council for Culture, Arts and Letters. 4 - According to the document a proposal to establish an institution for Theater Arts, follow the Supreme Council for the care of the arts and literature. This proposal has already been, when he wrote Zaki Tulaimat explanatory note dated 08.02.1964 on the establishment of the theater and popular arts, the Foundation oversees the: Center for Theatre Studies, the Department of Folklore, and the role of representation, and theater Arab, and the Library Theatre, contests authoring theater , and guide the amateur teams, in accordance with the text of the note. This institution came to light already in 1964, and was (Zaki Tulaimat) Supervisor General. This institution is still working until the present time under the name of (management theaters), and supervised by Professor Yad full, with some of the symbols of the Kuwaiti theater management, such as: Hamad patchy, and Jaber Anzi, and Faleh Al-Mutairi. 4 - It is known that the human element Arab - especially Egyptian - shares a lot in the early stage activity in Kuwait, and this document proves that the officials wanted Tkoic administrative and technical matters in the Kuwaiti theater since its inception, the emergence of the methodology. Two years after the establishment of the task only on the Arab theater, and presenting six plays, work began in Tkoic management. Based on the documents in the hands of, say that Zaki Tulaimat fought a great struggle for the sake of the band Tkoic administratively and technically, between my hands and in the document dated 22/02/1964, a letter from Zaki Tulaimat - Technical Supervisor for the year - to the Director of Administrative and Financial Affairs at the Ministry of Affairs social work, which he said: "I am happy to repeat to you the nine reports confidential employees theater of the Arab in 1963 with the note: First - Those nine are not employees theater Arab in the full sense, because six of them refused to contribute in the conduct of administrative affairs for the band as they rejected learn any craft of the character the play with that they take their salaries as employees of the Ministry, and not as representatives of the band. The remuneration for their work represented the band, the ministry estimated for each of them twenty dinars a month. II - Determination of the adequacy of these employees were depending on the competence art with the exception of Hussein Saleh, Khaled Nafisi, Ali Murad, Jaafar and insured, have been depending for his appreciation of all of them technically and administratively. " There are other documents proving that Zaki Tulaimat succeeded finally in Tkoic management division, and even submitted a memorandum should be self-sufficient in 8/2/1964, and in them we find Jafar insured the clerical work, and library run by Khalid Al-Nafisi, and has held Hussein Saleh and function of administrative supervisor of the theater Kevan. It is noticeable - and according to the documents in the hands - that Hussein good example was the model for the process Kuwaitization; On 12/10/1963, send Zaki Tulaimat a letter to the Undersecretary of the Ministry of Social Affairs and Labour, which he said: "Velhaka to our conversation on the organization of management (theater Kevan) After opening its doors and received his duties, and for inviting me to be the nucleus of management in which young people of Kuwait in preparation for self-sufficiency in the Kuwaiti theater, I am pleased that Ahatk that Mr. (Hussein Saleh) Member theater Arab has responded to this call, and spent more than a month time experienced the work of administrative supervision in the theater in question. for this I agree that Mr. mentioned command (management oversight) in this theater, and in return the premium taken from the ministry and a 20 KD as a member of a professional theater Arab. this with the knowledge that this assignment will not fall on the sovereignty status of Representative member of the band does not stand in the way to achieving his own desire to study in the stage directions to the sides whenever time permits him to do so. and I will put a statement he mentioned his work in the theater to be useful for its completion. " Regarding the study of Hussein's good for output by the playwright Tulaimat, he emphasizes this Tulaimat letter to the Assistant Undersecretary for Technical Affairs on 11.23.1971, which stated: "... work on the preparation of a group of Kuwaiti artists to contribute their efforts in the conduct of the Institute study [ie, Institute for Drama Studies] to be managed by some of showing the validity of this task. I am pleased to inform you that I have not received them so far is Mr. / Abdullah Saleh Alvahilan who is now a television in the corner of the press, was not available, yet, with all of his time on teaching (Article culture play), a material prepared in order to take her into the curriculum of the institute. and above this, the preparation of an artist Kuwaiti and one does not achieve the purpose for which we seek to Tkoic management and study institute, and must include this setting more than one. It is known that the first thing that must be be available in this artist, is to be a lover of theater, which they've worked and made a strong and went out with personal experiences in it. Given that the time has come to be among the branches of Article (dumping and representation) special branch performance analog dialect Kuwait since this language make up the dialogue in all the plays provided by the difference of representative operating in Kuwait. Because it is impossible to completely non-Kuwaitis to stand up to this task. for this I agree to assume the teaching of this Article Professor / Hussein Saleh, one of the finest representatives of Kuwaitis and most qualified, as draw the attention of The Theatre in Kuwait Having studied on my hands. " 5 - According to the document that the Committee tasked Zaki Tulaimat develop bylaws for the Arab theater; so that the regulations Tqueta teams play the Egyptian government. This regulation is already developed Tulaimat in 15/6/1964, and later known as (the Statute), the system goes it was perfect teams, associations and clubs, many, according to the hands of the documents. For example, writes Professor Shaheen Ahmed - Secretary of the Kuwaiti theater - a letter to the theater in the Arab 9/6/1969, requesting to provide him with a copy of this band system to take advantage of it. On 26.05.1975 wrote Saadoun Mohammed Jassim, the Deputy Minister of Information, a letter to the theater Arab requesting a copy of the statute as well, because some Arab countries require. On 10/9/1988 I wrote the morning of Al-Abdullah Al-Ahmad Al-Sabah, President of the Board of Directors Club girls, a letter to the Arab theater, calls this system, in order to amend the club. 6 - According to the document talk about the system (guests of honor), a system followed by the officials - at the time - to address the large gap in the female element. In this period was not of the actors in the theater, only the Arab and Mary Mary Good Anger! System and guests of honor, it means bringing in Egyptian actress for the title one of the plays theater Arab, and be Astkdamha for a month and a half ago, this system as stated in the documents "attract audiences to the concert band, and gives them a sense of seriousness and propensity to innovation." In the hands of the documents, a document dated 19.09.1963 says that guests of honor are three: Naima and descriptive, and Sanaa Gamil, Aida Abdel-Gawad. For a descriptive Naima has already come to Kuwait and represented a play (Abu Dlamp) of Ali Ahmed Bakathir on 30/11/1963. The (Sanaa Jamil) and (Aida Abdel Gawad), was the decision of the first to star in a play (Hypochondriasis) of Moliere; and the decision for the second to star in a play (tragedy of the beautiful) to Abdul Rahman Al-Sharkawi; and history says that the theater Arab did not represent these Almsarhatin, did not attend the Kuwait to Sanaa Jamil Abdel-Gawad, or back in this period. This means that the system (guests of honor) does not work as officials had hoped; so thought Zaki Tulaimat an alternative rationale explained in an official letter to (Hamad Rejaib) - Undersecretary of the Ministry of Social Affairs and Labour - in the 19/10/1963, to achieve self-sufficiency for the theater Arab female element, using some of the actresses living in Kuwait, such as: Asmahan Tawfiq Abdul-Rahman, Inam Muhammad Ali, and Mahmoud enjoyed. Explains Tulaimat idea of this by saying: "Both are Alawltan Palestinian and Tqmn in Kuwait nine years ago, and speak dialect Kuwait fluent facilitate them to work in plays Kuwait. And the last lady (Nemat Mahmoud) is Egyptian woman has finally come to Kuwait to live in. After her marriage to Mr. Lebanese, Having cut its representative (the Renaissance team), one of the teams theater television in Cairo. " This diversity in the thinking of officials, reflects the extent of their interest in solving problems related to the theater, by subtracting the test solutions and ideas on the ground. 7 - the document speaks of "the proposal to invite some of the great writers of the play and host for a period of two or three months, hoping to record their impressions of life in Kuwait plays write them." Despite the postponement of this proposal at the time; but it reflects the approach practical thinking to the officials of the theater in Kuwait, even check this proposal considers Kuwait - in that period - the flags of writing the play, such as: Tawfiq al-Hakim, Mahmoud Timor, and Ali Ahmed Bakathir, and we read and saw on their hands The first plays dealing with aspects of Arab life, the Kuwaiti and Gulf! The reason for the postponement of the implementation of this proposal are: first, pending the outcome of competition authoring theater which was announced in February 1963, and the wait has resulted in the emergence of playwrights from the Kuwaitis, such as: Abdul Aziz rapid and his play (he has a certificate), and Hassan Yaqub Ali and his play (shone dawn ), Jafar believer and his play (an appointment with Azrael). Another reason to defer the proposal for the former; was thinking approach Tkoic plays Arabic, and this is stipulated in the document dated 19/9/1963, which he said talking about the (Abdel Rahman Alazaviha) preparation plays (Tariq al-Andalus) to Mahmoud Timor, and (treasure) of Tawfiq al-Hakim, and (Adam and Eve) to Fattouh, my activity, and (my wife Imp) answer to Solomon - for the Arab theater - after (Tkoicha) any written Kuwaiti dialect. Thus ended my talk about the document, the fourth, which marks the end of the first phase in the history of the beginnings of the Kuwaiti theater, according to a scientific approach thoughtful, that point which made the Zaki Tulaimat effort technically and administratively, breaking, he managed to have a group play, and to establish a renaissance drama Kuwait is still paying off so far moment. Conclusion of the first phase: This episode is the last for the publication in the magazine (backstage), a conclusion and documents the first phase, which Tstmthel on four basic documents include dozens of sub-documents. The other phases of the remaining viable include twenty-five core document and hundreds of subsidiary documents, and can be deployed in twenty-five episode of the Journal of scenes, a large number have compassion on the reader, the magazine followed, so do not get bored, especially as I do I review these documents, as well as in the episodes published, in order to assemble all on these documents in the hope of publication in a huge volume worthy of leading the Kuwait theater of the Gulf, so that this folder is the most important reference is talking about the theater in Kuwait: a documentary, and historically, artistically, especially since the documents covering the period of the establishment of the theater in Kuwait from 1961 to 1971. A series of Arab theater Anonymous: Although this episode is the last chain (documents Kuwaiti theater) published in the magazine (backstage); However, the magazine asked me to manage the speed of thought in the writing of another series of four seminars on the subject of new theater. After thinking I decided to write the new series under the title (Arab Theatre unknown)! Any offers to write about - or text - play an Arab in an unprecedented way, provided that the work he passed nearly a century (one hundred 100 years)! And thus gain an important subject on the historical and artistic value. Until the meeting in the first episode (the Arab theater anonymous)!
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